2020 was a year that felt like the world had turned itself upside down through events that we couldn’t have ever imagined. Despite that, a quiet story came about an age-old worldwide issue (one that could have been told in any year and still be applicable). I found Never Rarely Sometimes Always the most memorable, honest, and authentic film of the year.
All posts by bryanbuser
Our Friend (2019)
I went into my viewing of Gabriela Cowperthwaite’s (Megan Leavey, Blackfish) Our Friend, knowing almost nothing. I hadn’t seen a single trailer or read even a sentence of a single review. All I knew was that the movie starred Casey Affleck, a drama based on a true story, and had both an audience and critics’ score on Rotten Tomatoes that exceeded 85%. It was enough for me to give an unknown movie a chance. I was rewarded with a film that, while incredibly uneven, delivered in a deeply affecting way for which I was ill-prepared. This incredibly poignant movie is not for everyone. Bring your tissues. If you are a cancer survivor or were with someone during their successful or unsuccessful battle with cancer, be forewarned that Our Friend could bring on some incredibly intense emotions, some of which you have been consciously or unconsciously suppressing. Its final act strikes you at your core while also humbling you at the same time.
Sound of Metal (2019)
The most original movie of the year is also one of its best. Darius Marder’s (Loot) subtle and subdued Sound of Metal features a breakout and Oscar-worthy performance from British actor and rapper Riz Ahmed (Mogul Mowgli, The Sisters Brothers). Ahmed stars as Ruben, a drummer for a two-person heavy metal rock band Blackgammon. Along with singer/guitarist/girlfriend Lou (Olivia Cooke – Ready Player One, Life Itself), he lives in an RV. He travels throughout middle America as the duo goes from one venue to the next. If that sounds like such a simple premise, I assure you that this movie is far more poignant than you could ever expect.
Pieces of a Woman (2020)
Pieces of a Woman, Kornél Mundruczó’s (Jupiter’s Moon, White God) venture co-starring Vanessa Kirby (Mission Impossible: Fallout, The World to Come) and Shia LaBeouf (The Peanut Butter Falcon, Honey Boy), has the most excruciating half-hour of a film you’ll see this year. Expertly pieced together by the film’s editing crew is a single, continuous 23-minute scene meant to represent, likely, at least a few hours of a childbirth process. It’s intense, gutwrenching, fascinating, and heartbreaking all at once. As someone who didn’t know a thing about this film going in other than the first twenty seconds of its trailer that cemented my interest level, I thought for the entire 23-minute sequence that this would be the whole movie, likely sprinkled with flashbacks to a happier time.
News of the World (2020)
When I write a review this close to the start of a new year, I usually see most of the movies considered for one of the big six Oscar awards. If I don’t, I will usually await the arrival of those limited releases set for a wide release a couple of weeks later. Regardless, most people would have known of all the big-budget or Oscar-worthy movies by the time of a January 1st post. In 2020, all of the rules had changed, and the cinema has not been an exception. Some big-budget movies slated to come out during the year have been tabled until the pandemic ends and will likely come out in the second half of 2021. However, the Academy has made date modifications, which means that films will be eligible for the end-of-year awards as long as they are released by February 28, 2021. It’s usually around the start of the new year when I start watching the final one or two movies that might receive a Best Picture nomination. 2020 is a different kind of beast, and this review is my first of the year of a film that will receive a nomination for that award.