Little Fish, the limited release and widely underseen 2020 film from Chad Hartigan (The Threesome, Morris From America), was a movie that captivated me so much that I turned it off 30 minutes in while falling asleep late at night, knowing I could not give the film the full justice it needed, and started it from the beginning the next morning. Released straight to streaming during the COVID-19 pandemic, most who have watched this film likely did so through word of mouth or because they are fans of one or both of the two lead characters, each an A-list actor with a large following.
Category Archives: 2020
The King of Staten Island (2020)
Judd Apatow’s humor is my kind of humor. Actually, I should preface that some. The movies that Apatow directs (The 40-Year-Old Virgin, Knocked Up, This Is 40, Funny People, Trainwreck) are my kind of humor. The films he merely produces are hit or miss. While I love Kicking and Screaming, Forgetting Sarah Marshall, Step Brothers, Bridesmaids, Get Him to the Greek, and The Big Sick, there are just as many of his produced films that I am not a fan of, most notably Anchorman: The Legend of Ron Burgundy, Walk Hard: The Dewey Cox Story, and Popstar: Never Stop Never Stopping. If anything, I wish I would stop producing altogether and spend more time writing and stepping behind the camera.
The Forgotten Battle (2020)
Take a few pieces of Dunkirk, add a touch of All Quiet on the Western Front, layer in some 1917, shave in some Saving Private Ryan sprinkle, and finish it with some Letters from Iwo Jima. The result is Matthijs van Heijningen Jr.’s ( The Thing) 2020 under-the-radar masterpiece, The Forgotten Battle. This 2020 Netflix film was one I had just heard of after finishing All Quiet on the Western Front, another Netflix original that was equally exceptional.
Riders of Justice (2020)
In a year when movies have been the worst of my lifetime, I have been pleasantly surprised by the originality of the three most recent films I have seen. Jockey, A Hero, and Anders Thomas Jensen’s Riders of Justice gave the year a late jolt of hope that it could amount to something more. However, it may be too late with only a dozen or so movies left to see (and even fewer than I am excited to see). Unlike the first two movies, Riders of Justice, while a neat little film, won’t make my end-of-year top ten, which I believe Jockey and A Hero will.
Worth (2020)
More often than not, movies that attempt to capitalize on the tragedy of real-life events have mountains to climb over that other movies don’t even have to navigate. The greater the tragedy (at least when it comes to the loss of human life), the closer the attempt to profit from it through music, literature, art, film, or other forms of storytelling to the actual event itself, the steeper the climb.