Ben Affleck’s (Gone Baby Gone, Live By Night) The Town was my favorite movie a few years ago. The Revenant has since replaced it, while The Shawshank Redemption will constantly vie for a top spot, but it’ll be a long time before The Town falls out of my Top 10. I’ve watched it three times (once in the theater), and I’ve enjoyed it just a little less with each viewing while appreciating it a little more with those watches. The Town also contains one of my all-time favorite scenes, the finale in Fenway Park depths.
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The Messenger (2009)
Somewhere inside Oren Moverman’s (Time Out of Mind, Rampart), The Messenger is a pretty good movie. It has the right tone. It has the right cast. It has the right setting. It has the right director. It just has the wrong plot. Well, I shouldn’t say it has the wrong plot, but I should say that the plot is a bit flawed. And it’s not even faulty so much as it is incongruent. It follows a timeline that we are uncertain of. Does this movie take place over a few weeks, a few months, a little bit more, or somewhere in between. It’s an integral part of the story to know the movie’s time frame because it helps us justify or not justify some of the actions of its characters. The longer the period that this movie takes place, the more likely it is for me to believe the story. The shorter it is, the less likely I am. The reason for this is the characters change too much. And I am not saying people can’t change over a short period, but it seems a stretch for all characters to change how they did in that brief period. But the time frame is never stated. It is implied to be three months, but it isn’t conclusive. For me, it doesn’t help the movie. It leaves me with the burning question of when to go from start to finish.
Cast Away (2000)
Tom Hanks is an American cinema legend. From Splash to Big to A League of Their Own to Philadelphia to Forrest Gump to Apollo 13 to Saving Private Ryan to Toy Story to The Green Mile and everything in between, Hanks has crafted some of the most memorable performances any generation has ever seen. But, if you notice a trend in the above movies, these and many other classics occurred before 2000, when Robert Zemeckis’s (Back to the Future, Forrest Gump) Cast Away had its theatrical run. Since then, Hanks’ has starred in quality movies like Road to Perdition, Catch Me If You Can, Charlie Wilson’s War, Captain Phillips, Saving Mr. Banks, and Sully. However, there have also been misses like The Da Vinci Code trilogy, Larry Crowne, Cloud Atlas, Ithica, The Circle, and Extremely Loud & Incredibly Close. Indeed, his career still has more ups and downs, but his overall portfolio isn’t quite as robust. Plus, in the last 20 years, he has taken more time off between projects. I mention all of this because he’s been my favorite actor for a large portion of my life, and I would prefer him acting more often with fewer duds in between.
Lars and the Real Girl (2007)
If you want to watch a sweet drama that commits you to think outside the box, then Craig Gillespie’s (I, Tonya, The Finest Hours) might be that secret little hidden movie that might be for you. Starring Ryan Gosling (Blue Valentine, The Nice Guys), this tender, sweet film is like nothing you’ve ever seen. And if the premise scares you away because it looks stupid, watch the trailer. If the trailer still doesn’t do it for you, read what some top reviewers said. If that doesn’t work, then trust me a little. “The Ryan Gosling Dates a Sex Toy” movie is not what Lars and the Real Girl is about. At all.
Them That Follow (2019)
Such a simple premise and simple story is co-directors Britt Poulton and Dan Madison Savage’s creepy faith-based community movie Them That Follow. You can almost exactly predict the story and the steps it takes along the way and still be surprised when they happen. That is the sign of a quality film with quality people working behind and in front of the camera. And that’s what we have here, with this simplistic, beautifully artistic film, far from perfect but captivating.