Not being a guy who is really into the disaster film genre anymore (I turned off movies like The Day After Tomorrow and 2012 before I was even a third of the way in), I was more than tentative to give San Andreas a chance. It’s a genre that once interested me in my younger days. I enjoyed movies like Independence Day, Deep Impact, Cloverfield while loving Titanic (my favorite movie of 1997), The Impossible (my favorite movie of 1992), World War Z (my second favorite movie of 2013), I Am Legend (my second favorite movie of 2007), War of the Worlds, The Perfect Storm and, shamefully, Armageddon.
All posts by bryanbuser
Man on the Moon (1999)
Though we primarily know him for his slapstick comedy (The Cable Guy, The Mask, Dumb and Dumber, Ace Venture: Pet Detective), Jim Carrey has proved on numerous occasions that he can do very well what many other people in his genre cannot do. He can give riveting and believable performances in both light-hearted and heavy dramas. He’s done it with The Truman Show (where he was spectacular and deserving of an Oscar nomination) and Eternal Sunshine of the Spotless Mind. He does it with 1999’s Man on the Moon, which, with all due respect to The Truman Show, is his finest performance as an actor in any genre. Carrey’s biopic of Andy Kaufman is a movie I’ve had on my watchlist to see for years, but one that I never felt “in the mood” for. It’s not that I expected to be disappointed by it (with just a 63% fresh rating on Rotten Tomatoes, I knew this movie would be hit or miss for me).
Escobar: Paradise Lost (2015)
I cannot help comparing Escobar: Paradise Lost to Leonardo DiCaprio’s The Beach. There were quite a few similarities and also quite a few differences. I’ll start with the differences first. Except for The Man in the Iron Mask (which wasn’t promoted as a blockbuster), The Beach was DiCaprio’s first marketed movie since Titanic. It had a massive promotional campaign and was expected to vault DiCaprio even further as Hollywood’s next leading man. I had huge hopes for The Beach and liked it. Unfortunately, the movie was panned by audiences and critics alike. But before I get pounced on for enjoying it, please note that I saw this movie when I was about 24. That is my defense. I cannot defend the actions where I have watched the movie about three times since then. But I like the idea of a paradise that’s too good to be true and a lead character suddenly so far over his head that he has no means of getting out. This was a similarity to the much less marketed Escobar: Paradise Lost, a movie that received mixed reviews but, for the most part, had as many people who didn’t like the film as it had people who did.
Sleeping With Other People (2015)
Sleeping With Other People was the fifth movie I saw over 48 hours. The Finest Hours, Anomalisa, 45 Years, and Love & Mercy were the others. While The Finest Hours was entertaining and was an excellent movie to see on the big screen in 3D, the only movie of the five that I enjoyed was Love & Mercy. As much as I disliked most of Anomalisa and 45 Years, the worst of the five movies was Sleeping With Other People. I am a big of Jason Sudeikis (We’re the Millers, Hall Pass). I liked him a lot on Saturday Night Live and thought that he had a fantastic start to his movie career, and sometimes, he can make you laugh out loud with his humor. At least for now, I think he needs to stick to strictly doing “funny” comedies. Sleeping With Other People was a comedy that was not funny and played like a dramedy more than any other Sudeikis movie I am familiar with. Likewise, this has also been classified as a romance, which I find sad and a discredit to the genre. I hated the premise of this movie and felt that it was tough for me to relate to, either on a personal level or how I observed those close to me. Perhaps this is the lifestyle for many people, but I don’t see it in my life. I didn’t know if I was supposed to take this movie seriously or if this was just supposed to be a fun 90 minutes. In either case, it failed. I neither enjoyed myself nor even laughed one time.
Anomalisa (2015)
This post is a first. It is my first-ever post on an animated movie. After 260+ posts, I had to add an animation category under my genres. I have repeatedly said that I wouldn’t review animated films or documentaries. Still, Charlie Kaufman’s (Synecdoche, New York, screenwriter for Eternal Sunshine of the Spotless Mind) Anomalisa is not your traditional Pixar or Dreamworks animation. And this isn’t really animation. It’s an entirely different stop-motion animation. Well, it is, and it isn’t. I don’t watch the F/X show Archer or anything on Adult Swim, so I don’t have much of a comparison (if any); Anomalisa was the most adult-oriented animation I’ve ever seen. It wasn’t adult-oriented in the X-rated sense. There wasn’t anything obscene in this movie. It’s just that the themes were very adult-oriented, and you wouldn’t want to be next to a kid while watching this film. I don’t think you’d want to be next to anyone during this film. I would not say that I didn’t like this movie. I did expect to like it much more than I did, as I kept hearing great things about it. But the two prevailing thoughts that I had while seeing this film were 1) I wanted to like it more than I did, and 2) It was uncomfortable to watch at times. It is tough to recommend this movie.