Paul Verhoeven (Basic Instinct, Total Recall) Elle opens with a scene that even the most jaded person would find difficult to watch. Whenever we see a rape scene on the big screen, we are mortified. Rape is a crime we abhor and, next to murder, the one we find most unacceptable in society. To start a movie with a brutal rape sets the immediate somber tone of the movie and, ironically, a tone that we often get away from. There are so many genres in this French-subtitled film. It can be classified as drama, romance, suspense, thriller, revenge, mystery, and even comedy. I’d be lying if I said I understood every component of this movie without having to do some research for it afterward. The older gentleman didn’t have that problem and began clapping as we rolled to the credits. I saw this film because Isabelle Huppert (Things to Come, Amour) is a lock for a Best Actress Academy Award nomination after winning a Golden Globe. I think she has a solid chance to win. Natalie Portman (Jackie) and Emma Stone (La La Land) are her only real competition.
Category Archives: Academy Award Nominees
Moonlight (2016)
Barry Jenkins’ (Medicine for Melancholy) Moonlight is an ambitious film in many ways. Though it mainly revolves around the uncertainty of being gay, it also touches on many of the other important issues of the day, including adolescent bullying, drug abuse, masculinity, broken relationships, and poverty. The acting in this movie is out of this world. Never does this feel like a movie to me. Instead, it feels like you are just an invisible camera watching three different stages of a male discovering and dealing with his sexual identity in the hardships of a destitute part of Miami, Florida. The film is divided into three chapters. All are centered around Chiron. At age 6 or 7, he is referred to as Little. At age 16 or 17 (the chapter that gets the most focus), he is Chiron. And for the last chapter, he’s 26 or 27 and goes by Black. He’s equally conflicted in all three different stages of his life. The simplicity of this movie is its strength. If you like artistic movies that center around a real story with characters who feel real, you will find this movie riveting.
La La Land (2016)
Don’t let the first ten minutes of Damien Chazelle’s (Whiplash) La La Land influence you too much. As much as it might seem like West Side Story, Grease, or many other musicals, rest assured, it is not that kind of movie. Ten minutes in, after a supporting cast of characters who you never see again finished performing a song and dance on top of and around their cars while in a traffic jam on the 105/110 interchange in Los Angeles, CA, I wondered what the heck I had gotten myself into. There was a reason I have never been able to get through Chicago or Moulin Rouge. I am sure that these are fine movies. Chicago won Best Picture, and Moulin Rouge was a Best Picture nominee. I’m not much into musicals as I am into other genres. There is nothing wrong with them (I wouldn’t say I like animated movies much as well), but they aren’t my cup of tea. The only reason I could sit through Les Miserables was that my dad had already tricked me into watching it in the theater. My biggest fear was that La La Land would be either all song and dance (implied from the trailers early in the year) or a lot of song and dance (inferred from later previews). However, neither was the case. While there was a lot of music in this film, and it certainly was a musical, it’s not just music. There is so much more. If you’re at least willing to give this movie a chance, you’ll enjoy it in some fashion.
Jackie (2016)
Less than a month ago, I would have said Natalie Portman (Black Swan, Brothers) was the one lock for an Academy Award win. Her portrayal as the grieving Jacqueline Kennedy Onassis in the wake of her husband’s assassination by Lee Harvey Oswald. Portman just looked the part, and it felt like this was the role she was born to play. Portman is a fantastic actress who did an above-average job in Jackie. But this movie was so flat and depressing that I wonder if it will be enough to take out Emma Stone in La La Land, which has been gaining lots of steam in recent weeks. I’m not overly impressed when I look at this list of contenders for Best Actress. This helps Portman. This film only had to be pretty good to convince me she should win. Unfortunately, the movie did not live up to my expectations at all. While I learned a lot about Jackie Kennedy, her relationship with her family, the media, and the people of America, and the events that occurred on November 22, 1963, and the week afterward, this movie overall was very dark and dull. Though only an hour and a half, it felt like a three-hour snoozefest. It’s hard to recommend a film that felt more like a history lesson that you should be required to watch in your 11th-grade U.S. History class.
Arrival (2016)
Alien, Fire in the Sky, Independence Day, Men in Black, Starship Troopers, Cloverfield, Signs, Prometheus. These are some of the many movies that have successfully explored contact in some form with extraterrestrial beings in some form. And then you have films like E.T., Close Encounters of the Third Kind, Cocoon, Contact, Solaris, District 9, Gravity, Interstellar, and The Martian, which are also movies about either extraterrestrial encounters or innovative space exploration that deal more with human component or relationship building than they do action, adventure, and a post-apocalyptic future. Add Denis Villeneuve’s (Sicario, Prisoners) Arrival as the latest movie to try to get itself on this impressive list. The critics (93% on Rotten Tomatoes) and audiences (82%) have enjoyed this movie.