This post is a first. It is my first-ever post on an animated movie. After 260+ posts, I had to add an animation category under my genres. I have repeatedly said that I wouldn’t review animated films or documentaries. Still, Charlie Kaufman’s (Synecdoche, New York, screenwriter for Eternal Sunshine of the Spotless Mind) Anomalisa is not your traditional Pixar or Dreamworks animation. And this isn’t really animation. It’s an entirely different stop-motion animation. Well, it is, and it isn’t. I don’t watch the F/X show Archer or anything on Adult Swim, so I don’t have much of a comparison (if any); Anomalisa was the most adult-oriented animation I’ve ever seen. It wasn’t adult-oriented in the X-rated sense. There wasn’t anything obscene in this movie. It’s just that the themes were very adult-oriented, and you wouldn’t want to be next to a kid while watching this film. I don’t think you’d want to be next to anyone during this film. I would not say that I didn’t like this movie. I did expect to like it much more than I did, as I kept hearing great things about it. But the two prevailing thoughts that I had while seeing this film were 1) I wanted to like it more than I did, and 2) It was uncomfortable to watch at times. It is tough to recommend this movie.
Category Archives: Academy Award Nominees
45 Years (2015)
I drank the Kool-Aid on this one. In many previous reviews, I discussed who would receive the five Best Actress Academy Award nominations. I kept including Charlotte Rampling (Melancholia, The Eye of the Storm) as one of the five based on everything I had been reading. I regret including her name, but, in my defense, January 29th was my first chance to see 45 Years. I saw it a day later and am uncertain what I just saw. I love heavy dramas and movies about broken relationships. I also like slow, methodical movies if they are building towards something. The pieces were in place for 45 Years, but this movie ultimately didn’t do it for me. I realize I am in the minority when I give it a less-than-average review. Nevertheless, it earned a stellar 96% fresh on Rotten Tomatoes.
The Revenant (2015)
Why not save the best for last? It doesn’t always work out that way, but The Revenant was the final movie released in 2015. In fact, except in a few select theaters in a few select cities, you couldn’t see the film until January 7th. Was it worth the wait? It was. We’ve seen trailers for months building this movie up. Each time I saw a preview, I couldn’t help but get excited. This may have been my most anticipated movie since Shutter Island, and with that movie, I had reason to be wary because it was a 2010 movie released in February. You usually don’t get the best films of the year released that early in the year.
Joy (2015)
Joy is the epitome of a very average movie with a standout lead performance. Jennifer Lawrence (Silver Linings Playbook, American Hustle) will most definitely earn her fourth Academy Award nomination (third for Lead Actress) in five years for her role as the title character. Still, she does not have a chance to win. I think she would have had a shot had the movie been better received with critics and audiences, but it likely would not have been enough to knock off favorites Brie Larson (Room), Saoirse Ronan (Brooklyn), or Charlotte Rampling (45 Years). Lawrence and Cate Blanchette (Carol) likely will be the final two nominations, with Carey Mulligan (Suffragette) having an outside chance to spoil.
Carol (2015)
Every once in a while, you see a series of trailers that convince you that a movie will be fantastic. Sometimes this holds to be true, and sometimes it doesn’t. Sometimes, you convince yourself that a film is going to be amazing based on the trailers alone. And then, when the critics support your belief by giving the movie high praise, you head into that movie thinking that you are about to see something exceptional. I thought Todd Haynes (Far From Heaven, I’m Not There) was about to strike gold with Carol. He had the players. With apologies to Jennifer Lawrence, Cate Blanchett (Blue Jasmine, The Curious Case of Benjamin Button) is the current leading lady in Hollywood. When I first heard Blanchett’s soothing voice-over speaking to an unidentified character during a trailer filled with drama, strife, and unpopular decisions involving the leads, I couldn’t help but be engrossed. I don’t know who created this trailer, but this individual should have directed Carol rather than Haynes because they brought more drama to a two-minute snippet than Haynes brought in two hours. This isn’t an exaggeration. The trailer is THAT good, and the movie is THAT disenchanting. Blanchett’s dramas are heavy, and she is at her absolute best when she plays a character who is lost in her confusion. So why wasn’t Carol the movie of the year?