It isn’t so much that Alice, Darling, the feature-length directorial debut of Mary Nighy, was a good movie nor an enjoyable watch, but rather how it remains in your mind long after its watch. It’s both a timely and timeless movie about emotional abuse, told exclusively through the eyes of a victim amid the turmoil, but having no sense of what to do about it or even if she knows if she’s genuinely experiencing this abuse. In this regard, the movie hits on all cylinders, even when it misses almost everything else.
Category Archives: Anna Kendrick
A Simple Favor (2018)
Capitalizing on the same success as 2014’s incredibly meticulous Gone Girl and 2016’s cluttered and underwhelming Girl on a Train comes Paul Feig’s (Bridesmaids, The Heat) adaptation of A Simple Favor, an adaptation of a 2017 novel by the same name. Unfortunately, this movie feels like a lousy knockoff with two Hollywood A-listers made hastily with a less-than-believable story by a director who was clearly over his head with this genre. This movie was preposterous in its concept and was only topped in absurdity by its cursory character development and inability to define a genre clearly. It leaves us asking as many questions about the movie’s style as it does its other elements.
The Accountant (2016)
Gavin O’Connor’s (Pride and Glory, Miracle) The Accountant is a movie that resonated with audiences ($86 million at the box office, 78% audience score on Rotten Tomatoes) but nearly as much with critics (a score of just 51% on Rotten Tomatoes). I saw the movie on its opening weekend because I thought the trailer looked fantastic. I’ve been a big fan of just about everything Ben Affleck (Argo, Gone Girl) touches in front and behind the camera since 2007’s Gone Baby Gone, a film that led to his reemergence as a Hollywood A-lister. The Accountant looked like it would be the type of movie I enjoy. I love a gritty drama/thriller that is dark, mysterious, and violent.
Cake (2014)
If you are looking to see the second-best performance (nobody is going to be able to touch Julianne Moore in Still Alice) by an actress in 2014, check out Daniel Barnz’s (Won’t Back Down, Phoebe In Wonderland). While the movie might not wow you, the performance of Jennifer Aniston (The Good Girl, Rock Star) absolutely will. Nearly unrecognizable, the one-time Friend is a physical and emotional wreck throughout the movie. Playing Claire, a mother who lost her young son in an automobile accident while accruing numerous injuries to her legs, arm, back, and face that have forced her to become addicted to pain killers, Aniston performs her career. I have yet to see two of the five nominees for Best Actress (Moore and Marion Cottilard – Two Days, One Night). But I will say that Aniston’s performance does rival Reese Witherspoon (Wild), Rosemund Pike (Gone Girl), and Felicity Jones (The Theory of Everything). I’ll give Cottilard the benefit of the doubt and say that maybe there were six great performances for five spots. However, if I were voting, Aniston would have got my vote over Jones (even though I thought Jones was great). I will explain why in the paragraphs below.
50/50 (2011)
Joseph Gordon-Levitt (Inception, G.I. Joe: Rise of Cobra) further exemplified what I predicted of him after seeing 2009’s (500 Days) of Summer, which was that he was the next big thing in Hollywood. Gordon-Levitt (just 29 at the time) had already shown his abilities as a supporting actor in several critically acclaimed movies, including Stop-Loss, The Lookout, and Brick. However, these movies failed to top $11 million at the box office. (500 Days of Summer generated $32 million domestically and earned Gordon-Levitt a Best Actor in a Comedy or Musical Golden Globe Nomination. Though he did not win the award that year (Robert Downey Jr.’s won for his role in Sherlock Holmes), it opened the door for more starring roles for the young actor. This included the opportunity to star in 50/50, a movie where he earned his second Best Actor in a Comedy or Musical Golden Globe Nomination.
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