Hope Gap is another self-reminder not to watch movie trailers anymore. Had I not seen the trailer when deciding whether to see this movie, I would not have known what was to come. Of course, without the trailer, I wouldn’t have known if it would have interested me. It’s a double-edged sword, for sure. My new way of watching a non-theater trailer is watching just enough to determine an interest level. If, after 15 seconds, it looks like something I want to watch, I’ll cut off the trailer. If it takes 45 seconds, so be it. If I’m still watching by the end of the trailer, there’s a better chance than not that I won’t end up watching the movie.
Category Archives: Annette Bening
American Beauty (1999)
Lester Burnham (Kevin Spacey –The Usual Suspects, Se7en) isn’t your usual man going through your typical midlife crisis. A man going through a midlife crisis might quit his job, buy a sports car, cheat on his wife, long for a life with no responsibility, or obsess compulsively over things he can’t have. But all of these things at once? Maybe. But it’s less likely for sure. Sam Mendes (1917, Revolutionary Road) is a highly well-known director, even though he has only directed eight movies (as of 2020) and earned just one Oscar nomination before that year. But his film struck an accord, and he took home the two biggest trophies of the year for a person in his profession, Best Director and Best Picture for his debut feature-length film, 1999’s American Beauty.
Life Itself (2018)
Perhaps the most pleasant surprise of all 2018 movies was Dan Fogelman’s (Danny Collins) little-seen gutwrenching Life Itself. Not to be confused with the Roger Ebert documentary of the same name, this chapter-style movie is best viewed if you know as little about it as possible going in. I read this in the first paragraph of a review site I respect, and it was enough to get me to stop reading the review. I didn’t research anything more until I finished watching the movie and was completely shocked to see that it had just a 13% fresh score on Rotten Tomatoes (78% fresh with audiences based on 981 ratings at the time of this review). While the drama was thick and all of the tie-ins between the stories a little too coincidental and convenient to believe that all of the connections truly happened by chance, I was able to suspend that portion of the movie because A) I didn’t see everything coming ahead of time (naively perhaps) and B) because the raw emotions of this film felt so thick and real to me that I couldn’t help but be wrapped in the folds of each character.
The Kids Are All Right (2010)
Lisa Cholodenko’s critically acclaimed 2010 film The Kids Are All Right shows that the rawest of human emotions cannot be limited to age, race, gender, disability, social status, or, as is the case in this movie, sexual orientation. In this movie, Nic (Annette Bening – American Beauty, Being Julia) and Jules (Julianne Moore – Still Alice, Far From Heaven) are lifelong partners, raising two children with the same sperm donor, Paul (Mark Ruffalo – Foxcatcher, Spotlight). Joni (Mia Wasikowska – Alice in Wonderland, Crimson Peak) is the 18-year-old daughter whom Nic carried while Jules is the birth mother of 15-year-old son Laser (Josh Hutcherson – The Hunger Games, Journey to the Center of the Earth).