I sure did want to like Four Good Days, Rodrigo Garcia’s (Albert Nobbs, Passengers) Heroin-recovery-centered drama co-starring (Mila Kunis – Black Swan, The Book of Eli), and Glenn Close (Dangerous Liaisons, Fatal Attraction). It had everything I wanted in my heaving-hitting addiction dramas. It had a strung-out lead in 31-year-old Molly (Kunis) and that one person that, hopefully, all people have who will do anything to save this person they so dearly love. In this case, it is Molly’s mother, Deb (Close). The elements were in place for this to be a movie that knocked it out of the park. However, it was so severely flawed that it sometimes inadvertently detracted from the story it was trying to tell. As much as I struggled with its flimsy screenplay, its miscasting of Deb with Close, and its peculiar ending, it stuck with me so much that I wanted to go home immediately after watching it to review it. There is zero percent chance that Four Good Days ends in my 2020 Top Ten Movies of the Year list, but I fully imagine that I will remember every little bit about this movie at the end of the year as I do today (May 6th), and not for the wrong reasons.
Category Archives: Glenn Close
The Wife (2018)
Interested in seeing Björn Runge’s (Happy End, Daybreak) much anticipated The Wife? Do yourself a solid. Skip and see the remarkably well-made Big Eyes instead. It’s essentially the same movie, except it’s actually entertaining. The Wife makes its point in a nuanced fashion. It’s slow and not in a good way. Its two main characters are so different from one another that you wonder why they are still together. And then, when you learn the big, dark secret, your only question is why they didn’t divorce years ago. Nevertheless, it’s a movie that is gaining recognition for the performance of its lead (Glenn Close – Fatal Attraction, Dangerous Liaisons) as Joan (aka The Wife). Could it lead to her seventh Academy Award nomination? Yes. Should it? It’s still early in the season, but probably not.