Yorgos Lanthimos (
The Lobster, The Killing of the Sacred Deer) is not my favorite director. His latest film, the Olivia Colman (
Murder On The Orient Express, Locke) led
The Favourite, is not my favorite film. His style doesn’t work for me. I like creative movies. I like unique films. I sometimes like eccentric movies. But weird movies are hit or miss, and his are mostly a miss for me. Ironically,
The Favourite is probably his most “normal” to date. But I found myself disinterested in it from the start. Just as ironically, the much lesser recognized
Mary Queen of Scots, which was released within a week or two of this movie (and a film that I enjoyed), was widely disregarded by critics and audiences alike (63%, 44% on Rotten Tomatoes compared to 94%, 61% for
The Favourite). I’m only reviewing this movie because it will likely get nominated for many Academy Awards, and sadly, Best Picture will be one of those.
Continue reading The Favourite (2018) →
Soft, subtle, disciplined, loving, sad, purposeful, and real. Sebastián Lelio’s (A Fantastic Woman, Gloria) Disobedience is all these things and more. But as well as it does most of these movies, there are a couple of things that it just doesn’t hit on. I’ll have a spoilers section for this film later in this review. First, I will say that the film is very well made, but it doesn’t leave me feeling very emotional when it is over. At its base is this life story, but Lelio fails to draw us into it soon enough, and then when he does, it feels very uneven and leaves you uncertain of each of its lead characters’ decisions. Ultimately, it becomes a movie that lacks the poignancy it set out to achieve. However, it does dig deep into the important topic of same-sex attraction and same-sex relationships. It’s so unfortunate that, as a society, we have not fully embraced same-sex relationships yet.
Yorgos Lanthimos’s The Lobster is one weird movie. I don’t often do well with movies that I find to be strange. Some movies that have gotten high ratings with the critics are so utterly dreadful that they are virtually unwatchable. The tone is simple, the dialect is weird, and the actions are peculiar, but the overall strangeness of these movies makes the experience a chore. I know some love Wes Anderson, and to each his own. The Lobster feels similar to one of these Anderson movies, but oddly enough, it interested me. While I didn’t understand why a strange movie needed to be made, I found it engaging, and it didn’t feel like I was watching it to say that I watched it. While I wouldn’t say I liked it and would never watch it again, there were parts of it.
The Light Between Oceans was a flawed movie that is likely to bore many, if not most, of its moviegoers. This was evidenced by the guy sitting behind me who was sawing logs for the entire second half. But I am a sucker for broken relationship movies caused by some strife, and that’s what I got here. The only thing I knew about this movie was that it was about a couple living on a small island while he managed a lighthouse and that they found a baby in a boat they took as their own after she suffered a series of miscarriages. I wish I had gone in knowing nothing about this movie.
Fans of the Jason Bourne Trilogy (The Bourne Identity, The Bourne Supremacy, The Bourne Ultimatum) will, in all likelihood, enjoy The Matt Damon-less The Bourne Legacy. However, I’m wondering how many new fans this movie will attract. Director Tony Gilroy (Michael Clayton, Duplicity) repeatedly references Jason Bourne in this movie. Those looking to enter the franchise and think that this is the right time because Jeremy Renner (