Original review – September 18, 2011 | Updated review August 12, 2013
Updated review****
This movie is a classic. I had a couple of original problems based on my initial view. The preview made it seem like it would be a completely different movie. I hadn’t prepared myself for the violence or all of the overlapping storylines that were going on. I thought I would watch Ryan Gosling drive bad guys around and avoid the police. The movie trailer is essentially the film’s first five minutes (nothing more, nothing less). I expected something different, which is why my initial review was lower than it is now.
I loved Gosling and Mulligan. I loved the way the unspoken attraction they had for one another. I loved how Gosling did everything he could, not getting attached to somebody he couldn’t just walk away from in five minutes, but how circumstances kept driving them together to the point where he would do anything to keep them happy and safe.
What is there to say about a perfect movie?
Doomsday (2008) was Neil Marshall’s follow-up effort after the 2005 surprise summer hit, The Descent, which wowed critics and fans alike. This movie, however, lacked the creepiness and the character development of The Descent. It seemed like Doomsday aimed to be like 28 Days Later with the horsepower of an action movie. As a result, it tripped over its feet before getting out of the gate. This movie is set in 2035, some 25 years after a massive epidemic has wiped out 99% of Scotland. The UK had built a wall that has effectively quarantined the remaining 1%. However, when the infection has made its way back into London and, through satellite images, the government learns that there are, in fact, survivors still living within the walls. A one-eyed special team operative named Edin (Rhona Mitra – Shooter, The number 23) is sent behind the wall to find the cure that keeps all of these people alive.
Seeing this movie for the first time 20 years after its release and after hearing friend after friend say to me, “You still haven’t seen Total Recall? I can’t believe that. You’ve got to see it. It’s a classic”, I expected much, much more during my viewing. To think that Terminator 2: Judgment Day was released just a year later diminishes the value of Total Recall. Whether just or unjust, I couldn’t help but compare Total Recall to the theater experience of Terminator 2: Judgment Day in 1991. While Terminator 2 had cutting-edge special effects, edge-of-your-seat action, and decent acting, Total Recall felt cheesy, worn, and clumsy. Additionally, the acting was atrocious.
My oh my, Adrien Brody, what has become of your career? Since winning the Best Actor Academy Award in 2002 for his role as Wladyslaw Szpilman in The Pianist, Brody’s career has been hit or miss. His successes were The Village (2004), the under-appreciated