Category Archives: Action

Hostiles (2017)

The very first scene of Scott Cooper’s (Crazy HeartOut of the Furnace) under-the-radar Hostiles lets you know one thing right off the bat. We get a 10-minute scene where a four-person group of Comanche warriors comes rolling out of nowhere and attacks a family of five in the brutalist of fashions before burning down the ranch and taking off with their horses. After this scene, the title Hostiles pops up on the screen, and we quickly know that we are in for something different than Will Smith’s Wild Wild West. This movie is not for the weak at heart. If you do not like tragedy, this film is not for you. If you have the stomach for, sometimes, senseless killing, characters who carry anger so deep that it burns their souls and guilt so heavy that it tears lives apart, then this movie could be for you. If you crave a good old-fashioned western, this movie will suffice. And if you want to see A-listers like Christian Bale (The FighterThe Dark Knight Rises), Rosamund Pike (Gone Girl, A United Kingdom), Jesse Plemons (The Post, Other People), Timothee Chalamet (Call Me By Your NameLady Bird) and Ben Foster (Hell or High WaterLone Survivor) continue to cement their names in Hollywood then you can’t go wrong with Hostiles, easily one of the five best movies of 2017. Though it’s unlikely to dethrone Wind River for me, it’s doing its best to make a case in the 11th hour.

Continue reading Hostiles (2017)

Brawl in Cell Block 99 (2017)

I love a good prison movie. Similarly to how I enjoy films set on trains, edgier (i.e., PG13 or greater) sports movies, alien movies, shipwreck movies, or survival movies set in the jungle, there is something about a good prison movie that perks my intrigue, keeps me interested, and has me thinking about it long after it’s over. The Shawshank RedemptionThe Green Mile, The Hurricane, Rescue Dawn, Escape from Alcatraz, Lock Up, Murder in the First, Midnight Express, Brokedown Palace, Dead Man Walking, The Longest Yard, Felon, Law Abiding Citizen, Death Race, and others. So what could a prison movie offer that we haven’t seen before on the silver screen or television dramas like Prison Break or Oz or television documentary shows like Lockup or Locked Up Abroad? There are plenty of options for getting your prison fix. But you haven’t seen something in S. Craig Zahler’s (Bone TomahawkBrawl in Cell Block 99. Could it be that it’s the most brutal prison movie ever made? You could argue that it is. It certainly could be the goriest. If you have yet to see the horror-western Bone Tomahawk, prepare yourself. I had heard about it but still wasn’t ready for what I saw. I was not too fond of it. But I am going to go back and watch it again. And the reason for that is how much I really enjoyed Brawl in Cell Block 99.

Continue reading Brawl in Cell Block 99 (2017)

Dunkirk (2017)

Christopher Nolan (The Dark Knight Rises, Inception) might be the best technical director we’ve ever seen. His precession is perfect. His attention to detail is unmatched. His brain operates so that it is always ahead of his actors and two steps ahead of his audience. We’ve seen technical masterpieces throughout his already storied career. At 47, he already has masterpieces like Following, Memento, Insomnia, Batman Begins, The Dark KnightThe Dark Knight Rises, The Prestige, Inception, and Interstellar all underneath his belt. According to Rotten Tomatoes, his “worst” movie is Interstellar, which still has a 71% fresh rating. That means his “worst” movie still had five out of every seven critics gave the movie a positive rating. However, for all of the positives associated with Nolan’s films (and there are many), he has failed to capture the often-needed emotional component with every single one.

Continue reading Dunkirk (2017)

Alien: Covenant (2017)

Ridley Scott’s (Gladiator, The Martian) brainchild franchise proves a few things. First, the Alien series still has legs, its sequels continue evolving, and Scott has no plans to let his baby fall into the wrong hands again. Ridley’s monster first burst onto the screen in 1979’s Alien, a movie that did for space travel what Steven Spielberg’s Jaws did for swimming on beaches. It certainly wasn’t the first movie set on a spaceship. But, if it wasn’t the first horror film set in space, it was undoubtedly the first one we all remembered as the first one. And, just as the tagline of the original movie poster suggests, In Space, No One Can Hear You Scream, nothing can be more accurate as we sit down and prepare ourselves for one of the Alien movies.

Continue reading Alien: Covenant (2017)

The Wall (2017)

First things first, if you think you’re going into this seeing a John Cena movie, you will be sorely disappointed. This movie is similar to 127 HoursCast Away, I Am Legend, or All Is Lost in that it revolves almost entirely around a single character. However, some significant differences exist between this one and those just stated. There are no flashback scenes. This movie is done almost entirely in real time. And it occurs in a single location, though 127 Hours, for the most part, does as well. The Wall is similar, though, in that each of the mentioned movies experiences extreme periods of hopelessness during a part of or a majority of the movie. The Wall isn’t nearly as good as these other movies, but it was unique enough to hold your interest. Whereas 127 Hours was based on a true story, where All Is Lost is easily believable, and where I Am Legend is more of a science fiction movie for which we must suspend our belief, The Wall falls somewhere in between. I loved that it was just 81 minutes long. It didn’t need to be any longer, so why drag something out when it doesn’t have to be? And the first 20 minutes were completely engrossing. I knew little about the movie but not enough to know where it was going. But then it took a turn for the weird that took the believability aspect out of it and turned it into a game of cat and mouse that, while entertaining, was not something I’d expect out of my war movies.

Continue reading The Wall (2017)