Often, I like to go into a movie as blind as possible. I do this even more for Oscar-contending films, which are traditionally more artsy, independent, symbolic, innovative, or daring. It can be hit or miss. When it hits, it’s unforgettable. When it misses, I spend my time glancing at the time on my phone, wondering when the borefest will finally end. I am glad I didn’t approach Jonathan Glazer’s (Under the Skin, Birth) fearless The Zone of Interest.
Category Archives: Biopic
Ferrari (2023)
2023 has been the year of the biopic. The year may be the successful blueprint that could ignite a trend. Each year, several biopics are released. Some are good. Some are not. In 2023, it has often felt like a new biopic was set for release each week. Some of the better ones were The Iron Claw, Dumb Money, Oppenheimer, Blackberry, Tetris, Maestro, Air, and Sound of Freedom. At some point, there was biopic overload, with films like Golda, Big George Foreman, Rise, Chevalier, Rustin, and Nyad getting lost in the shuffle. Rustin and Nyad are receiving Oscar Buzz for leading acting performances. Yet, if not for this recognition, each film likely would have been missed by the public without even knowing the film existed.
Maestro (2023)
Each year, a handful of movies are made in a way that is less interested in audience consumption or interest and more in earning awards. The term for this is “Oscar bait.” The 2023-released movie most associated with this term is Bradley Cooper’s (A Star Is Born) sophomore directorial effort, Maestro. It will earn a few Oscars. Cooper might even earn one for Best Director. He’s likelier to earn one for Best Lead Actor for portraying the title character, Leonard Bernstein.
The Iron Claw (2023)
Talk about a gut punch of a movie. As a pro wrestling fan, I’ve known of the tragedy of the Von Erich family for years. However, while I know of the circumstances around each of the brothers, I was only familiar with the one brother who made it to the World Wrestling Federation (WWF, now World Wrestling Entertainment – WWE). Kerry Von Erich had a two-year run as The Texas Tornado in the early 90s. His time in WWF was when I was getting into pro wrestling, and The Texas Tornado was one of my favorites. A biopic about the Von Erich family had been in talks for years before Sean Durkin’s (The Nest, Martha Marcy May Marlene) The Iron Claw came about. I’ve read pre-screener reviews about how emotionally devastating this movie was for months. While I felt prepared for my watch, I left feeling wrecked. What a masterful feat.
Napoleon (2023)
Gladiator, The Last Duel, Blade Runner, or Alien, it is not. Ridley Scott’s Napoleon was my most anticipated movie of 2023. The elements were in place. It had the director. It had the actor (Joaquin Phoenix – Walk the Line, Joker). It had the story. Yet, the pieces never came together. Instead, it was a two-hour and 38-minute chaotic mess that offered no logical transition of scenes, little connection between characters, and easily forgettable battle scenes that left much to be desired. This film was a catastrophic failure in many ways.