Horrible Bosses wowed audiences ($117 million) and won over most critics (69% fresh on Rotten Tomatoes) in the summer of 2011. The unlikely comedy starred three guys in their late 30’s/early 40’s who absolutely hated the bosses they worked for so much that they plotted ways to get even with them for making their work lives so miserable. With an unlikely group that had TWO Best Actor Academy Award (Kevin Spacey, Jamie Foxx) winners from the last fifteen years signed on as supporting characters, this cast was a list of who’s who in Hollywood. The movie is hilarious and is very much worth a view. It seems, however, that the same critics who lauded the Horrible Bosses seem to be the same ones crushing Horrible Bosses 2 (just 35% fresh on Rotten Tomatoes). While I wouldn’t go so far as to say the sequel was better than the first one, it was comparable in terms of laughs. While the formula is the same, the jokes are new and original, and the payoff is just as good as the original. With that said, I hope that this franchise quits while it’s ahead. I could see a potential Horrible Bosses 3 resulting in an utter disaster.
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Category Archives: Comedy
The Visit (2015)
M. Night Shyamalan (Signs, The Sixth Sense) is no longer the master of terror. He seems to get progressively worse with each film. There are exceptions for some people, I think. For example, I liked The Village more than I did Unbreakable, and while other people panned The Happening, I thought it was okay. However, there is no denying that the man is a fraction of his former self. While he no longer deems it necessary to have a twist in every movie, his last few movies, especially Lady in the Water, The Last Airbender, and After Earth, have been dreadful. With The Visit, a film he both wrote and directed, he tries something new. It fails. Miserably. At least for me, it did. There is an audience for it, evidenced by its $25 million in its opening weekend alone and a 59% fresh rating on Rotten Tomatoes. But those who remember the masterful Shyamalan from 1999-2002 are not the same people who will enjoy this. The Visit seems to be a mixture between The Blair Witch Project, Paranormal Activity, Funny Games, The Strangers, and Goosebumps. I’ll admit that this was the second movie of a Bryan Buser double and that it was the only movie that matched up when my first movie ended. I saw the film by default, and I was prepared to walk out at any point. I anticipated it. However, there was something about it early on that kept me interested. And then, when I looked at my watch, and I was already 30 minutes into a 90-minute movie, I knew I would stick it out.
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Ant-Man (2015)
I’ll preface this review by saying that I enjoyed Ant-Man, but that I know that if I do end up seeing Ant-Man 2, I will not enjoy it. I say that because traditionally I like superhero origin stories (except for when that same character gets retold over and over and over again like Superman, which…on a side note, I have yet to see a Superman movie that I’ve even remotely enjoyed, but that I am expecting HUGE things from Batman v Superman: Dawn of Justice). However, as with over 90% of movies that have sequels, superhero movies generally get worse (usually much worse) with each subsequent release. Of course, there are exceptions. Batman Begins was fantastic, but The Dark Knight is possibly the greatest superhero movie ever made. Iron Man and Spider-Man are both amazing movies, but there wasn’t much drop-off to Iron Man 2 or Spider-Man 2. Now Iron Man 3 and Spider-Man 3 were both much worse. But when you think about it, when is the 5th, 4th, or 3rd movie of a franchise ever really the best one? Hardly ever. 90% of the time, it’s the first franchise movie that is the best. I wish viewer franchises would make movies. I wish even fewer movies would be remade. But that is a different topic for another day. Regarding Ant-Man, the best thing that it had going for it was its originality. I cannot think of a scenario where Ant-Man 2 would have any originality that this first movie had. But, of course, we know Ant-Man 2 is coming. And then Ant-Man will probably end up in The Avengers movies, and I’ll look back on this first movie less positively.
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Trainwreck (2015)
I’d say that there is a pretty darn good chance that Trainwreck will go down as the funniest movie of 2015. There doesn’t appear to be a ton of comedies this year, and the one that I was most excited for (Vacation) looks like it’s going to be a dud. Usually, the great comedies of the year are released before September 1st. I have no evidence that backs up this claim, but it seems like the good movies reserved for the later portions of the year are the Oscar contenders. It doesn’t mean that there aren’t comedies released in October, November, and December, but it seems like there are average more often than not. I guess what I am implying here is that the funniest movies of the year have probably already been released and that Trainwreck seems to be the most amusing of that group. I often mention in my movie blog of the year 2010, which, I believe, is the best movie year in my lifetime. However, there wasn’t that one hilarious comedy you remember from that year. For me, the funniest movie that year was Get Him to the Greek, but that movie had nothing on Trainwreck. Had it been released in 2010, Trainwreck would have made the year that much better.
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Welcome to Me (2015)
Kristin Wiig (Bridesmaids, The Skeleton Twins) got off to a bit of a late start in her movie career. Still, the hilarious Saturday Night Live alum is making up for lost time and immersing herself in as many unique roles as possible. In my opinion, the funniest female cast member in the history of SNL isn’t allowing herself to be typecast like so many of her predecessors (both male and female) by basically starring in full-length versions of the skits they performed on television. In recent years, many alumni (especially the females like Amy Poehler and Tina Fey) are establishing themselves as legit, in it for the long run actors, writers, directors, and producers. Many of the three names mentioned in this paragraph will rank the talents as 1) Fey, 2) Poehler, and 3) Wiig. I may be in the minority when I say Wiig is my favorite of the three, followed shortly by Fey. For me, while super-talented, Poehler is a distant third.
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