Matthew McConaughey (Dallas Buyer’s Club, Mud) stars as a balding, crooked-toothed, potbellied Nevada gold prospector in a movie that, without his acting talent, would have been completely sifted through the Hollywood stream of consciousness. Instead, while flawed, Stephen Gaghan’s (Syriana, Abandon) Gold is a watchable experience that takes audiences on a wild goose chase along with most of its stars. It ultimately makes the destination an endpoint and the journey worthwhile.
Category Archives: Corey Stoll
First Man (2018)
It takes a long, long time to land on the moon. So much can be said for the research, development, and execution of the Apollo 11 spacecraft on the lunar surface on July 21, 1969. You can also say as much as Damien Chazelle’s (La La Land, Whiplash) lackluster First Man. Maybe Chazelle should go back to writing his screenplays. After earning Oscar nominations (adapted for Whiplash, original for La La Land) for his first two directed movies, Chazelle picked up Josh Singer’s (Spotlight, The Post) for his third directorial effort. Unfortunately, the culmination likely didn’t do either man any favors. First Man lacked energy and originality and frequently veered into disinterest in its characters and outright boredom. While the film has resonated with critics (88%), there is a sharp dropoff in the audience score (66%). While the accomplishment in First Man is an important story that needed to be told in this medium (particularly to those who weren’t even born when this achievement happened, I think it should have been spearheaded by a director who is more seasoned in the biopic genre or at least had directed a film outside of the music drama genre which has thus far defined his career.
Black Mass (2015)
Black Mass? More like Black Mess. This movie wasn’t just a story most of us couldn’t care less about; it was boring. It reminded me of American Hustle in that it was set in the same time period; it had a fantastic cast and, most importantly, the high expectations going in. This movie wasn’t as disappointing as American Hustle was, because it didn’t have the Oscar expectations going in that American Hustle did. Nonetheless, like the Christian Bale-led movie, I expected big things from this Johnny (Finding Neverland, Chocolat) endeavor. I don’t know if this movie was trying to be a combination of The Godfather, The Departed, and Public Enemies, but it didn’t succeed beyond making Depp look like an old Jack Nicholson. I liked seeing Depp outside of the quirky roles he has been performing as of late. And while he was pretty good, the movie was brought down, in part, by how boring his character was. Unlike American Hustle, in which the performances were good (yet still overrated), the performances in Black Mass were flat. A terrific cast is wasted here. It is a disappointing movie in every sense of the word.
Ant-Man (2015)
I’ll preface this review by saying that I liked Ant-Man, but that I know that if I do end up seeing Ant-Man 2, I won’t enjoy it. I say that because traditionally I like superhero origin stories (except for when that same character gets retold over and over and over again like Superman, which, on a side note, I have yet to see a Superman movie that I’ve even remotely enjoyed, but I am expecting huge things from Batman v Superman: Dawn of Justice). However, as with over 90% of movies that have sequels, superhero movies generally get worse (usually much worse) with each subsequent release.
Of course, there are exceptions. Batman Begins was fantastic, but The Dark Knight is my favorite superhero movie. Iron Man and Spider-Man are both incredible movies, but there wasn’t much drop-off to Iron Man 2 or Spider-Man 2. Now Iron Man 3 and Spider-Man 3 were both much worse. But when you think about it, when is the 5th, 4th, or 3rd movie of a franchise ever really the best one? Hardly ever. 90% of the time, it’s the first franchise movie that is the best. I wish viewer franchises would make movies. I want to see even fewer remakes. But that is a different topic for another day. Continue reading Ant-Man (2015)
The Good Lie (2014)
“Inspired by true events” versus “this is a true story” are two very different things. The first could mean anything. It’s harder to get upset when you find out fact and fiction don’t always meet eye to eye. However, when told that what you are about to see is a true story, only to find out later that facts (both minor and major) have changed along the way, you have the right to get a bit more upset. Actual events inspire The Good Lie. And while they bring light to a critical issue, the character story was primarily fictional, as far as I can tell. Now, this brings up an interesting conversation. Would you rather see a strictly factual movie that doesn’t tell the most exciting story, or one based on an actual situation but with, for the most part, specific characters and conditions that are more fictionalized?