Begin Again had all of the makings of a great movie. It had an all-star cast with Mark Ruffalo, Keira Knightley, Hailee Steinfeld, and Catherine Keener (in addition to Maroon 5’s Adam Levine). It had a fantastic soundtrack (with most of the songs sung by Knightley). But most importantly, it was tying itself to John Carney, screenwriter/director’s 2007 gem Once, perhaps the most incredible “musical and performing arts” movie that you’ve never heard. I started off liking this movie so much. After 30 minutes, I felt confident it would be as good as, if not better, than Once. The problem was that as believable as Once felt, this movie felt unbelievable by its third act. It was a movie that stretched so far past the idea of a feel-good story that you really couldn’t at all take it seriously. If I had to break down the three acts, I would give Act One an A, Act Two a C, and Act Three a D (based on the implausibility of not just the last act itself, but because it doesn’t effectively bring resolution to any of the issues the characters are dealing with in the first two acts of the film). This movie reminded me of August Rush, but, to be honest, I’d have to watch August Rush again to see if that’s a fair assessment. I do remember wanting to like August Rush much more than I did.
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Category Archives: Comedy
Shopgirl (2005)

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Something’s Gotta Give (2003)
Romantic comedies are very rarely my thing. I often try to avoid them like the plague. There are, of course, some exceptions to the rule. If it’s a Rated-R raunchy romantic comedy like The 40-Year-Old Virgin, Knocked Up, Forgetting Sarah Marshall, There’s Something About Mary, etc. I’m in. But those movies have become their brand. Before 1997, you didn’t see movies like this made. I’m talking about the PG or PG-13 romantic comedies. I like Notting Hill, Garden State, and, of course, Groundhog Day. And I think movies like My Best Friend’s Wedding, Hitch, High Fidelity, etc. are serviceable. With Something’s Gotta Give, the film sought me out rather than vice versa. Somehow when I clicked the like button on Netflix, a list of other movies came up, and I guess I clicked on the picture of the film and added it to my list. I don’t remember doing this. So when it arrived and I ripped open the envelope with excitement, a “What the f*** is this?” comment and a look of befuddlement was an understatement. So there it sat next to my television for a couple of weeks. In the back of my mind, I knew I would give it a chance. It did earn high marks on Rotten Tomatoes, and it did have a star-studded cast. It would have a short rope, but it would get a chance. I’m glad I did. It was far from a great movie, but, despite some severe flaws, it was entertaining enough to recommend a watch. With that said, this movie is a one-and-done for me. I won’t ever watch it again. One of the reasons I do this blog is so that I can remember the movies I watch. It is much easier to read a five-minute summary.
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St. Vincent (2014)
Theodore Melfi’s St. Vincent, his first full-length feature film, is a movie I should have probably liked a little more than I did. Unfortunately, though it did it better than many of its predecessors, it follows a very familiar been there, done that approach. It’s no wonder that, despite some great performances (especially from its lead), it got lost in the shuffle and ultimately got shut out from any Academy Award nominations. There is only so much you can do with portraying a down-and-out lead character who hits rock bottom and then has to fight to be again. In some flicks, we see these characters have bottomed before the movie begins (Crazy Heart, The Dark Knight Rises), and in others, the characters hit rock bottom throughout the film (The Wrestler, Shame, Leaving Las Vegas). St. Vincent is more like the latter, and while some might like it better, I thought it came nowhere close to any of the five movies I mentioned in the previous sentence. While Bill Murray (Groundhog Day, Lost in Translation) gave his best lead performance in over a decade, the film offered nothing that I hadn’t seen before, and I liked the avenues that each of these five movies mentioned earlier.
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Top Five (2014)
The short. Skip Birdman. See Top Five. It’s the same movie with a couple of exceptions. Top Five has humor, is much more realistic, and you can relate more to it. It also isn’t the most over-hyped movie n the last five years. In fact, despite its 88% fresh on Rotten Tomatoes and lots of word of mouth on the street, it still surprisingly didn’t do all that great at the box office (just $23 million domestically). I did not see this movie in the theater, though it tempted me. Perhaps the most significant thing going against the film was its release date. It opened on December 12th, right in the middle of when all of the big-time award movies were in the theaters. As a result, it got lost in the shuffle. If the studio could go back in time, they might have released this movie in August.
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