Category Archives: Drama

About Last Night (1986)

I would have seen it years ago if I had been made aware of how great Edward Zwick’s movie was. I had always known About Last Night was an 80’s classic, but I associated it with cheesy teenage comedies like The Breakfast Club, St. Elmo’s Fire, and Pretty in Pink. And while those movies have a certain charm, I put them all into the same category. By association, I also classified About Last Night with those movies because of the stars Rob Lowe and Demi Moore. Over time, I, for whatever reason, associated the plot with two people who met, had a wild night of sex, and then spent the rest of the movie regretting that decision. This story didn’t interest me either. I’ve seen that movie play out hundreds of times on the screen. Had I not stumbled upon About Last Night on cable one night, I might never have seen it. Had I not, I may have forever missed out on a good movie.

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Sherrybaby (2006)

Maggie Gyllenhaal demonstrates her range as an actress in the little-known but critically acclaimed Sherrybaby. Gyllenhaal is a household name by now, though she hasn’t been in too many blockbuster movies. In fact, as of 2011, her only film that earned more than $75 million at the box office was The Dark Knight, which would have made its money regardless of whether she had been in it. This statement doesn’t mean to take anything away from Gyllenhaal. She is a very talented actress and will be a Hollywood A-lister for the next decade and more. However, in the movies I have seen her in thus far (namely Stranger Than Fiction, Crazy Heart, The Dark Knight), I’ve seen her play the same sweet girl next store who is likable, urns heads, and puts the needs of others before her. There’s always a fear that if an actor repeatedly plays the same character, she will be typecast and find it difficult to break that mold. Seeing Gyllenhaal star as the lead character in Sherrybaby showed me that she has the range and won’t allow herself to get pigeonholed into that same sweet character we’re accustomed to seeing her in.

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The Boy in the Striped Pajamas (2008)

the boy in the striped pajamas movie posterIf you aren’t in the mood for a heavy-hitting movie, stay away from Mark Herman’s 2008 World War II-based drama The Boy In the Striped Pajamas. It stars newcomer Asa Butterfield (The Wolfman, Nanny McPhee Returns) as eight-year-old Bruno, the son of a predominant Nazi official. Despite his protests, he is forced to move from the comforts of his Berlin home to the outskirts of the country so that his father can be closer to the concentration camps that he has been a part of organizing and running.

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The Green Mile (1999)

The Green Mile was Frank Darabont’s (The Mist, The Majestic) first movie following The Shawshank Redemption, a riveting prison movie that has found a permanent spot on many critics and movie fan’s top ten of all-time lists. The expectations were high for The Green Mile, if not altogether unrealistic. Like The Shawshank Redemption, this movie was set almost exclusively in prison. Like The Shawshank Redemption, this movie was based on a Stephen King novel. Like The Shawshank Redemption, this movie was set somewhere in middle America, reasonably close to the time frame of World War I, though neither of these movies ever really talks about any war. The Green Mile was set in 1932, while The Shawshank Redemption was set in 1946. The expectations for The Green Mile might have been unrealistic. I say this because of the reasons mentioned above, but also because it starred Tom Hanks (Forrest Gump, Philadelphia), Hollywood’s #1 leading man at the time, who was fresh off of receiving his 5th Academy Award Nomination for Best Actor after his performance in Saving Private Ryan. While The Green Mile is not as good as The Shawshank Redemption (my favorite film of all time, at the time of this review), it is still an incredible movie that everybody should see at least once.

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Half Nelson (2006)

Ryan Gosling is quickly earning a reputation for playing characters with seemingly good hearts, but with deep flaws that prohibit his characters from achieving greatness. Whether it be his quick Ryan Gosling is quickly earning a reputation for playing characters with seemingly good hearts but with deep flaws that prohibit these characters from achieving greatness. Whether it be his quick temper, drinking, or lack of ambition in Blue Valentinehis unbelievably extreme case of social anxiety in Lars and the Real Girl, or his much too overly confident posture in Fracture, Gosling plays characters that you root for at one moment and sympathize with the next. At the same time, you are trying to figure out how he gets so entrenched in each of his roles. If you have not seen any of the movies mentioned above, do so. You’ll be in for a treat. If you want to see his best performance to date, check out Ryan Fleck’s (Sugar, It’s Kind of a Funny Story) highly under-appreciated Half Nelson. Now, I say highly under-appreciated loosely. Half Nelson has received a 90% fresh rating on Rotten Tomatoes but only $2.6 million at the box office, a somewhat disappointing number.

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