Little Children is a somewhat misleading title for a movie that has little to do with children or anyone physically small. While a couple of kids appear in this movie, they are nondescript and serve more as props than anything else. The leads are all middle-aged adults, though their undisciplined, erratic behavior suggests otherwise. The protagonists act as entitled brats, while the antagonists are fundamentally flawed. It becomes clear we are on a collision course between everyone involved in a film set in present-day New England, but it could just as well be any town in America.
Category Archives: Top 10 Movie of 2006
Babel (2006)
More than a decade before earning back-to-back Best Director Oscars (Birdman, The Revenant), Alejandro Gonzalez Inarritu directed a series of unrelated hyperlink films. The idea behind hyperlink movies is that you have a movie that tells completely different stories in entirely different settings but is connected or influenced in ways unknown to the characters (and, for periods, the audience). These films started gaining popularity with the success of Steven Soderbergh’s Traffic in the year 2000. When done correctly, hyperlink films can be incredibly memorable. Traffic won four Academy Awards and was a favorite for Best Picture in 2000.
The Painted Veil (2006)
I will mark The Painted Veil as the best movie I may have *never* seen. A friend and I talked about how much we each love (500 Days) of Summer, and she said I needed to see The Painted Veil, her second favorite movie. She and I have very similar tastes in pop culture, so I told her I would give it a chance. I remember seeing the preview back in 2006 and thinking it was just another typical romantic period piece that I would probably find boring. I was more than pleasantly surprised. This movie was incredible, and I’m so grateful my friend and I had the conversation we had, and she encouraged me to see it.
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Half Nelson (2006)
Ryan Gosling is quickly earning a reputation for playing characters with seemingly good hearts, but with deep flaws that prohibit his characters from achieving greatness. Whether it be his quick Ryan Gosling is quickly earning a reputation for playing characters with seemingly good hearts but with deep flaws that prohibit these characters from achieving greatness. Whether it be his quick temper, drinking, or lack of ambition in Blue Valentine, his unbelievably extreme case of social anxiety in Lars and the Real Girl, or his much too overly confident posture in Fracture, Gosling plays characters that you root for at one moment and sympathize with the next. At the same time, you are trying to figure out how he gets so entrenched in each of his roles. If you have not seen any of the movies mentioned above, do so. You’ll be in for a treat. If you want to see his best performance to date, check out Ryan Fleck’s (Sugar, It’s Kind of a Funny Story) highly under-appreciated Half Nelson. Now, I say highly under-appreciated loosely. Half Nelson has received a 90% fresh rating on Rotten Tomatoes but only $2.6 million at the box office, a somewhat disappointing number.