I recently took an annual leave day off from work. The plan was to attend my local independent arthouse theater and see a movie that would be nominated for an Academy Award. I watched an early-morning showing of Jockey, a quiet little film in its own right that I will review next. Upon leaving, I spotted a poster of A Hero. It was a film I had seen pop up in advertisements on some of my other frequently visited movie websites. It had intrigued me, but I knew it was a subtitled (Persian) movie. I need to be in the right mindset, or I’ll get distracted and miss everything. Still, I debated buying a ticket and doing a double feature. But then I saw it was an Amazon Prime movie. I looked up the film on my phone and noticed it was available on Prime starting that day. So, I decided to skip the theater viewing and watch it at home instead. I’m glad I did, but only because the film was a bit longer (127 minutes). I wanted to break it up into a couple of chunks (full transparency: I also took a quick nap between Jockey and A Hero… by the time I started the second movie, I was ready to go).
Category Archives: Drama
Worth (2020)
More often than not, movies that attempt to capitalize on the tragedy of real-life events have mountains to climb over that other movies don’t even have to navigate. The greater the tragedy (at least when it comes to the loss of human life), the closer the attempt to profit from it through music, literature, art, film, or other forms of storytelling to the actual event itself, the steeper the climb.
The Power of the Dog (2021)
I listened to Thomas Savage’s The Power of the Dog on a whim earlier this year. I loved the first couple of chapters, but it ultimately went nowhere. I understood the idea and thought it had the potential to drive home an important point. However, despite its setup, it missed its landing entirely. Shortly afterward, I saw that there would be a movie based on the novel. Not only that, but it was set for release later that year. On top of that, there has been some early Oscar buzz surrounding the movie, both for Best Picture, Best Director (Jane Campion), Best Actor (Benedict Cumberbatch), Best Actress (Kirsten Dunst), and Best Supporting Actors (Jesse Plemons and Kodi Smit-McPhee). Even in 2021, which has proven to be one of the worst years for movies in my lifetime, The Power of the Dog deserves some of the praise it’s already receiving and will likely continue to receive.
The Lost Daughter (2021)
Oliva Coleman (The Favourite, The Father) continues her recent run of extraordinary performances in Maggie Gyllenhaal’s directorial debut, The Lost Daughter, a movie about the pressures of motherhood. Set in the present day on an unnamed Greek island. Leda (Coleman), a divorced Italian Literature professor from the United States, is on a solo vacation at a lower-level seaside holiday rental managed by the affable and a tad eccentric Lyle (Ed Harris – The Abyss, The Hours). When first meeting Lyle, we think he might be in the movie; you might feel you are in store for another of Harris’s outstanding performances. But, unfortunately, he’s not much of a factor, and I wonder why he even chose to take this role.
Another Round (2020)
Thomas Vinterberg (The Hunt, The Command) turned heads when he received his first Best Director Academy Award nomination for the little-known but well-received Another Round, the 2020 Best International Feature Film winner. There were some excellent candidates for Best Director in 2015, but Vinterberg wasn’t necessarily in that discussion.
I had this movie at the top of my queue to watch for more than six months before I finally watched it on a recent plane ride. It’s a Danish movie, and I haven’t been doing great with subtitled films in recent years, especially when watching at home. A long plane ride was the perfect opportunity to focus on my laptop with some headphones on. The movie earned 92% from critics and 90% from audiences on Rotten Tomatoes. Those scores were both pretty high. Another Round, while original, was nothing special. It wasn’t so much that it was uninteresting. It just wasn’t memorable. It also had numerous things that could have been improved, including plenty of continuity questions. I don’t doubt that there were many international films from 2020 and that this one received much of its acclaim and fanfare because of its director and lead actor.