I drank the Kool-Aid on this one. In many previous reviews, I discussed who would receive the five Best Actress Academy Award nominations. I kept including Charlotte Rampling (Melancholia, The Eye of the Storm) as one of the five based on everything I had been reading. I regret including her name, but, in my defense, January 29th was my first chance to see 45 Years. I saw it a day later and am uncertain what I just saw. I love heavy dramas and movies about broken relationships. I also like slow, methodical movies if they are building towards something. The pieces were in place for 45 Years, but this movie ultimately didn’t do it for me. I realize I am in the minority when I give it a less-than-average review. Nevertheless, it earned a stellar 96% fresh on Rotten Tomatoes.
Category Archives: Drama
The End of the Tour (2015)
The most unexpected surprise movie of 2015 was the incredibly well-written and well-acted The End of the Tour. While The Gift was the biggest surprise of the year, I went into that movie believing I would like the film, but not that much. With The End of the Tour, I was super apprehensive about one of those things because the trailer just looked pretty corny. While I know many comedic actors can start in fantastic dramas (Robin Williams, Jonah Hill, Bill Murray), I was very uncertain that Jason Segel was up to this task in his career. Segel has killed it with his comedy, both on the big screen (I Love You, Man, Forgetting Sarah Marshall, The Muppets) and television (How I Met Your Mother, Freaks and Geeks). He’s had a couple of misses (Sex Tape, Bad Teacher), but I still felt that he hadn’t worn out his recipe for success. Adam Sandler, Will Ferrell, and others have all made hundreds of millions using the same formula. I think Segal is undoubtedly a more talented actor than Sandler. With Ferrell, time will tell. He’s in a lull, but I wouldn’t count him out. Nonetheless, Segal is an unbelievable talent who quietly goes about his business and will continue to earn opportunities in film and television.
The Revenant (2015)
Why not save the best for last? It doesn’t always work out that way, but The Revenant was the final movie released in 2015. In fact, except in a few select theaters in a few select cities, you couldn’t see the film until January 7th. Was it worth the wait? It was. We’ve seen trailers for months building this movie up. Each time I saw a preview, I couldn’t help but get excited. This may have been my most anticipated movie since Shutter Island, and with that movie, I had reason to be wary because it was a 2010 movie released in February. You usually don’t get the best films of the year released that early in the year.
Concussion (2015)
Continuing the theme of the 2015 awards season, where movie releases have failed to meet expectations due to a lack of emotional audience engagement, comes Concussion, a true story dealing with the effects of professional football concussions. The movie, set in 1982 Pittsburgh, begins with one of the city’s most recognizable faces (Mike Webster of the Super Bowl-winning Steelers teams of the ’70s) living in his truck and slowly losing his mind. Mike (David Morse – The Green Mile, Disturbia) gives the most poignant performance in the entire movie. In a film where we could and should care for all sorts of characters, Mike is the only supporting character who evokes any emotion in us or allows us to feel any empathy. In just a few short scenes, Mike can convey to us that despite what his doctors say, he has significant life problems that are a result of something that happened to his mind from the time he retired in 1990 until the time frame at the start of the film (2002). His 14-year career included 150 straight games as a starting center from 1976 to 1986.
Joy (2015)
Joy is the epitome of a very average movie with a standout lead performance. Jennifer Lawrence (Silver Linings Playbook, American Hustle) will most definitely earn her fourth Academy Award nomination (third for Lead Actress) in five years for her role as the title character. Still, she does not have a chance to win. I think she would have had a shot had the movie been better received with critics and audiences, but it likely would not have been enough to knock off favorites Brie Larson (Room), Saoirse Ronan (Brooklyn), or Charlotte Rampling (45 Years). Lawrence and Cate Blanchette (Carol) likely will be the final two nominations, with Carey Mulligan (Suffragette) having an outside chance to spoil.