In my review of Enough Said, I write that the performance of Albert by James Gandolfini was the perfect role for his final movie. Albert was such a likable character in that movie. There were no hidden agendas. The man had some flaws, but those flaws weren’t any worse than the flaws you or I have. I wrote that review when I believed Enough Said was Gandolfini’s final movie before he passed away. I still love his role in this movie, but I’m so glad there was still a movie in post-production that I did not know about. The Drop was a fantastic final film for him, and it could earn him a posthumous Best Supporting Actor Academy Award nomination. In this film, Gandolfini returns to what he is most known for as an actor. He’s a little shady, and there always seems to be more about him than meets the eye. With that sly smile of his eyes, his under-the-breath chuckle, and his ability to say something to one person that is so very endearing one minute, but something to another character that is so brutally honest that it makes the person who is speaking feel stupid the next, Gandolfini is a master of disguising his characters and their intentions. He may have turned in the best big screen performance of his career with his final one.
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Category Archives: Drama
Shutter Island (2010)
Without a doubt, Martin Scorsese’s (The Wolf of Wall Street, The Departed) was one of my life’s most incredible theater movie experiences. I had been super excited for the movie since seeing its first preview six months or more before it came out. There was so much hype associated with the film that I was certain it couldn’t live up to the expectations. However, it not only met expectations but also surpassed them. This movie is a complete masterpiece and has only been dampened by the fact that the second viewing (an essential viewing for all film fans) wasn’t as awesome as I thought it would be. I thought I would gain some insight into knowing things about the movie I didn’t realize during my first viewing. Rather than capitalizing on this new knowledge, I found the second viewing rather dull. The excitement of seeing this film for the first time was what made it so great. This movie is also a much better view in the theater than at home, regardless of how big your home television might be. It’s a movie that needed to be seen in a dark theater full of other people viewing the film for the first time.
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The Lunchbox (2014)
“Sometimes, the wrong train will get you to the right station.” These yearning words of wisdom spoken so matter-of-factly by Ila (Nimrat Kaur – One Night With the King), a lonely yet hopeful housewife in Ritesh Batra’s directorial debut, The Lunchbox, quite simply the best movie through the first eight months of 2014. I am uncertain if this movie will be nominated for a Best Foreign Language Academy Award. I hope it will be so that more people will know about it. If it is not, I am not sure I would have ever known about it, let alone see it, if not recommended by my friend David. It further reinforces my appreciation for movie recommendations.
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Thanks For Sharing (2013)
Stuart Blumberg’s Thanks For Sharing is a much softer and more humane look at the trials and tribulations of sexual addiction than is Steve McQueen’s 2011 Shame. Both movies broach this once taboo topic with relatively deep character studies. While both films tell fairly compelling stories, neither earned much at the box office. Together, the two movies generated just over $4 million domestically. I think that fact that these two movies were both made over two years and the two attracted stars like Mark Ruffalo, Gwyneth Paltrow, Tim Robbins, Michael Fassbender, and Carey Mulligan shows that there are those in Hollywood who want to bring the issue come to light even if the general public is still a little reluctant to make it to the theater to check out these movies on the big screen.
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Boyhood (2014)
The first movie of 2014 likely to earn a Best Picture Oscar nomination, save for perhaps The Grand Budapest Hotel, is Richard Linklater’s (Before Midnight, Before Sunrise) Boyhood. Boyhood is unlike any movie ever made or likely to be made again anytime soon. It had been quietly filmed for over 12 years and only recently (six months or so before its release) started making noise and getting people talking. Linklater shot scenes for this movie once a year for the last 12 years and let the fictional character of Mason (Ellar Coltrane) literally grow up before our eyes in the span of two and a half hours. This film’s uniqueness and the way it perfectly captures the story of one American boy growing up in the state of Texas during the first 12 years of the 21st century. He responds to both world events, and his life’s predicaments are breathtaking. The story itself is not one that I think would wow anybody if it were shot like an average movie. But the story isn’t the movie. The story is about about Mason and how he ages from a 6-year-old to an 18-year-old.
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