The trailer for J.C. Chandor’s (Margin Call, A Most Violent Year) All Is Lost was incredible. It shows a man Robert Redford (The Sting, Butch Cassidy and the Sundance Kid), sailing his yacht in the middle of the sea. He has a smile on his face. The sun is shining brightly. The wind is blowing lightly through his hair. The shots of him are broken up by black frame credits that say “Alone at Sea,” “A Man Has Only Himself,” and “His Will To Survive.” And then we go to a shot of him sleeping in his cabin. Seconds later, water comes gushing in, and it’s obvious he has crashed into something. Then we see all hell breaking loose, including high waves, heavy rain, his belongings hitting off the walls as a result of the yacht rocking back and forth, his yacht capsizing, him saying goodbye to his craft from a raft, unsuccessful attempts at making S.O.S. calls, and flare guns shot into the night sky. Critical praise is flashed on the screen, making it seem like this movie might be the most suspenseful movie ever made. Of course, it’s not, but the trailer makes it look that way.
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Category Archives: Drama
Her (2013)
I imagine some parts during the filming of Spike Jonze’s (Adaptation, Being John Malkovich) Her, where everybody on the set wondered What the heck are we doing with this movie? or something similar to this using much more profane words. The premise for this movie is weird. The trailer was strange. The film was odd. I remember seeing the trailer for the first time and thinking there was no way this movie could succeed. No conceivable way was that any right man would fall in love with his operating system. That is one of the most unbelievable things I have ever heard. But as I watched the trailer a few more times and started hearing some of the praise associated with the movie, I began to wonder if this could be one of those rare treasures you find at the end of the calendar year. The first reason was that it reminded me of the Ryan Gosling movie Lars And The Real Girl, a film that I had convinced myself beforehand that there was no way I would enjoy but ended up loving. The second reason was because of how Joaquin Phoenix (Walk The Line, Reservation Road) was portrayed in just the trailer alone. He has played so many serious/dark characters recently that seeing him flash that smile with that goofy mustache over and over in a two-minute trailer made me curious to see a side of him that we haven’t seen in a very long time. Phoenix was PERFECT for this character, as I will mention later in this review.
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12 Years A Slave (2013)
The typical moviegoer of America will soon be introduced to one of the next big names in feature film directing when the Academy Award nominations come out in a few weeks. Steve McQueen will undoubtedly earn a Best Director nomination for 12 Years A Slave, a movie that some say is the greatest movie about slavery ever told. While those who have seen the film have talked a lot about the acting (and rightfully so), this movie, like any great movie, needs a captain to steer the ship and bring the story together. McQueen does just that. In a few weeks, the typical moviegoer will ask what else McQueen directed. Well, this is just his third feature film. He has 23 “Shorts” that he is credited with directing, but only two feature-length films. But these two other films weren’t just any movies. Much like Christopher Nolan (The Dark Knight, Memento), everything that McQueen has touched in his young career has had a purpose. He doesn’t have any “throw away” movies. The movies he has tackled thus far in his full-length directorial career have been on slavery, sex addiction (Shame), and the true story of an Irish Republican Army activist who, in 1981, protested the way British guards were treating him and fellow inmates by embarking on, perhaps, the most internationally recognized hunger strike since Gandhi (Hunger). While Shame and Hunger earned critical acclaim, many people didn’t see them. Shame is a brilliant movie about the taboo topic of sex addiction. As a result, I expected much more when I saw Hunger after this. While I appreciated many aspects of Hunger, I found it rather dull. So now, with 12 Years A Slave, McQueen has three movies I admire and two that I think are brilliant.
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Out of the Furnace (2013)
Finally, a gritty drama for 2013 to win you over with complex characters and excellent acting performances. This movie is, first and foremost, about flawed characters who want to do the right thing but don’t always know how. Well…I say that except for Woody Harrelson’s (The Messenger, Rampart) character. He is as vile, violent, and rotten to the core as he’s ever been. There are no redeeming qualities in Harrelson’s portrayal of Harlan DeGroat, a fight organizer/crystal meth dealer who drinks way too much, dabbles a little too much in his product, and looks to physically hurt anyone and every one every time they do anything to set him off, regardless of what it is. He is a ruthless jerk to the nth degree. Unfortunately, he plays his role perfectly. Without giving anything away, he dominates the movie’s first scene and makes him the person we are to fear for the next two hours.
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This is 40 (2012)
This Is 40 is an incredibly depressing movie that is not really funny. I love a good, raunchy comedy as much as anyone, but when it’s raunchy and not funny, it becomes dumb. I say this with lots and lots of love for director Judd Apatow. Apatow has written and directed two of the funniest movies of all time (The 40-Year-Old Virgin, Knocked Up). He has also helped produce some of the other major comedies of the last decade, including Superbad, Step Brothers, Talladega Nights, Step Brothers, and Forgetting Sarah Marshall. Still, this is just the fourth movie he is directed, and one of those, Funny People, was anything but funny. This Is 40 should have been a big hit. Apatow is talented enough to make a movie surrounding this topic into something funny. But ultimately, This Is 40 is a failure. I have yet to talk to someone who has seen this movie and said, “I loved it and can’t wait to see it again.” I’ve heard, “I didn’t like that.” I’ve heard, “I saw it, and I’m glad I saw it, but I wouldn’t watch it again.” My thought on the movie was, “I saw it, and I’m not sure that I’m glad I saw it because, being near 40, I found parts of it to be too real and parts of it to be not real.” I’ll try to explain.
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