Leonardo DiCaprio (Gangs of New York, The Departed) and Kate Winslet (The Reader, Little Children) reunite for the first time since they smashed the box office record as Jack and Rose in 1997’s Titanic. Revolutionary Road is also a love story, but it’s about a couple falling out of love rather than falling in love. Both are superb in this movie. It is easy to identify with each of their characters. And while Winslet and especially DiCaprio are at the top of their game, they are overshadowed by two scene-stealing scenes involving Michael Shannon (Before the Devil Knows Your Dead, Take Shelter). Shannon plays the mentally unstable son of their real estate agent, friend Helen (Kathy Bates – Misery, Dolores Claiborne), and her husband. Michael has no filter between his brain and his mouth and thus tells anyone and everyone exactly what he is thinking at any given moment. This is not a good thing, as Michael’s outlook on life and people, in general, is as pessimistic as one can be. It creates moments of intensified drama resulting in unfiltered anger. Rightfully so, Shannon was nominated for a Best Supporting Actor Academy Award (the award went to Heath Ledger for his role as The Joker in The Dark Knight), even though he was on the screen for fewer than 15 minutes.Continue reading Revolutionary Road (2008)
Continuing my alternating pattern between Paul Newman and Michelle Williams movies, I watched the Robert Rossen (All The King’s Men, Body and Soul) 1961 classic The Hustler. This movie stars Paul Newman (Cool Hand Luke, 
What a great actor Paul Newman is. An eight-time Oscar nominee for Best Actor in a Leading Role, Newman finally won for 1986’s The Color of Money. During 11 years between 1958-1969, Newman received an Oscar nomination an astonishing six times. We have all seen the first two of these (Cat on a Hot Tin Roof and The Hustler) movies. His third nomination was as the title role of the slightly less recognized Hud.
The Ledge is one of many movies with a trailer that hooked me and made me think the film would be terrific. I reevaluated my decision when I saw that it made just $ 5,000 at the box office and earned a whopping 11% on Rotten Tomatoes. Unfortunately, as I was updating my Netflix queue, I saw it was already coming to my house. So I gave the movie a chance that very night it arrived, thinking I’d have it on, but I would probably be glancing at it while doing some work online. However, I gave it a chance, and it hooked me. Usually, this type of movie would be one I would mock (see below). But for reasons unknown, the story caught me, and while the situation did get a little absurd, I didn’t see it as being unreasonable because of the characters and what drove these characters.
Everything Must Go was not Will Ferrell’s (Old School, Blades of Glory) first attempt at anything more than silly humor. He did a great job as a socially awkward and isolated IRS agent in Stranger Than Fiction. In more of a subdued role (Winter Passing), Ferrell plays a would-be musician. This movie could have been better, and Ferrell looked out of place. While he can still crank out $100 million laugh-out-loud comedies (2010’s