Original review – September 18, 2011 | Updated review August 12, 2013
Updated review****
This movie is a classic. I had a couple of original problems based on my initial view. The preview made it seem like it would be a completely different movie. I hadn’t prepared myself for the violence or all of the overlapping storylines that were going on. I thought I would watch Ryan Gosling drive bad guys around and avoid the police. The movie trailer is essentially the film’s first five minutes (nothing more, nothing less). I expected something different, which is why my initial review was lower than it is now.
I loved Gosling and Mulligan. I loved the way the unspoken attraction they had for one another. I loved how Gosling did everything he could, not getting attached to somebody he couldn’t just walk away from in five minutes, but how circumstances kept driving them together to the point where he would do anything to keep them happy and safe.
Crazy, Stupid, Love. is a terrific, lighthearted romantic comedy. In many of my reviews, I’ve stated that 2010 was the best year for movie releases, despite not having that one super scary or laugh-out-loud funny movie that you would expect a great year to have, I have also noted this to be the case. While 2011 has yet to come close to measuring up to 2010 (based on what I’ve been seeing/reading about the fall/award season releases), it has had some good movies. It’s had three films already that I would put in my Top 20 comedies of all time. I don’t think any of these are in that Top 10 range, but 
To say that Michael McGowan’s One Week suffered from the wrong movie/wrong time syndrome would be an understatement. Much like the beautiful movie Walk The Line, Joaquin Phoenix’s performance and the film were overshadowed by Jamie Foxx’s Ray, which came out a year earlier. From most critics’ perspectives, Ray was a slightly better movie. While Phoenix received a Best Actor Academy Award nomination, there was no chance he would win it because Foxx won the award a year before. The Academy wasn’t going to reward essentially the same movie with a nearly identical lead performance. The unfortunate part was that these movies were based on legendary actors (Johnny Cash in Walk The Line, Ray Charles in Ray), and each actor portrayed each man correctly.
I would have seen it years ago if I had been made aware of how great Edward Zwick’s movie was. I had always known About Last Night was an 80’s classic, but I associated it with cheesy teenage comedies like The Breakfast Club, St. Elmo’s Fire, and Pretty in Pink. And while those movies have a certain charm, I put them all into the same category. By association, I also classified About Last Night with those movies because of the stars Rob Lowe and Demi Moore. Over time, I, for whatever reason, associated the plot with two people who met, had a wild night of sex, and then spent the rest of the movie regretting that decision. This story didn’t interest me either. I’ve seen that movie play out hundreds of times on the screen. Had I not stumbled upon About Last Night on cable one night, I might never have seen it. Had I not, I may have forever missed out on a good movie.
Maggie Gyllenhaal demonstrates her range as an actress in the little-known but critically acclaimed Sherrybaby. Gyllenhaal is a household name by now, though she hasn’t been in too many blockbuster movies. In fact, as of 2011, her only film that earned more than $75 million at the box office was The Dark Knight, which would have made its money regardless of whether she had been in it. This statement doesn’t mean to take anything away from Gyllenhaal. She is a very talented actress and will be a Hollywood A-lister for the next decade and more. However, in the movies I have seen her in thus far (namely Stranger Than Fiction,