Doomsday (2008) was Neil Marshall’s follow-up effort after the 2005 surprise summer hit,
The Descent, which wowed critics and fans alike. This movie, however, lacked the creepiness and the character development of
The Descent. It seemed like
Doomsday aimed to be like
28 Days Later with the horsepower of an action movie. As a result, it tripped over its feet before getting out of the gate. This movie is set in 2035, some 25 years after a massive epidemic has wiped out 99% of Scotland. The UK had built a wall that has effectively quarantined the remaining 1%. However, when the infection has made its way back into London and, through satellite images, the government learns that there are, in fact, survivors still living within the walls. A one-eyed special team operative named Edin (Rhona Mitra –
Shooter, The number 23) is sent behind the wall to find the cure that keeps all of these people alive.
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Insidious was one of the few horror movies that lived up to the hype. It seems like any “horror” flick can make a trailer that looks exciting and terrifying. However, a select few can duplicate the rush you feel when you see the preview for the first time. It’s even rarer when a horror flick can come up as an original idea that hasn’t been duplicated dozens of times. I’ve probably seen 50 new horror movies that have since 2000. I felt bored by many of those movies, a feeling of been there/done that, not remotely scared, and sometimes even cheated.
As long as there is an opportunity for profit, classic movies will continue to be redone, rebooted, and have unneeded sequels attached. That is a fact of life. If you hope this doesn’t happen to your favorite movie because you don’t want the original tarnished, don’t hold your breath. It’s not a question of if but a matter of when. The original Texas Chainsaw Massacre (released in 1974 and directed by Tobe Hooper – Salem’s Lot, Poltergeist) is one of those classics. It’s a film beloved by critics and audiences alike. It’s become a cult movie that almost all moviegoers (horror fans or not) will undoubtedly see at least once. When we hear the name Leatherface, we instantly visualize a deformed madman chasing unsuspecting teens through the woods with a chainsaw. There have been and will continue to be sequels, remakes, and other movies that hope to ride the coattails of the original Texas Chainsaw Massacre.
Roman Polanski’s (The Pianist, Chinatown) first American film, 1968’s Rosemary’s Baby, is a classic film that has held the test of time and should be viewed by every film fan at least once. Though classified primarily as a horror film, it isn’t scary compared to today’s movies. However, it does have a certain eeriness that only the legendary film directors (such as Alfred Hitchcock in Psycho and others) could capture in that day and age. It’s neither the darkness nor the freaky-looking characters that establish the fear. Instead, the fascinating, web-weaving storyline captures the audience’s interest for the film’s duration.
I had one primary reason for watching this movie: Timothy Olyphant was the star. Olyphant was an actor I had not even heard of one year ago. F/X had a new show this season called Justified, and Olyphant was the star. I gave the show a chance. It hooked me from the first scene in the first episode. There are many reasons why I like the television show, but one of those is Olyphant. He plays the role of US Marshall well. So, I have been looking back at Olyphant’s filmography and saw he had the leading role in The Crazies. I like Olyphant, and horror movies generally perk my interest, so checking this film out was a no-brainer.