It’s hard to classify or compare Bong Joon Ho’s (Snowpiercer, Okja) Parasite to any other movie I’ve ever seen. From the first frame until the last, it comes together as a unique film that reminded me of Get Out and A Quiet Place in the sense that you know you are seeing something extraordinary and something that you have no idea where it comes from or where it’s going. These three movies are entirely different but follow the same formula of capturing your audience in the first scene and never giving them a chance to spin out of the web you hope you are creating for them.
Category Archives: International
Elle (2016)
Paul Verhoeven (Basic Instinct, Total Recall) Elle opens with a scene that even the most jaded person would find difficult to watch. Whenever we see a rape scene on the big screen, we are mortified. Rape is a crime we abhor and, next to murder, the one we find most unacceptable in society. To start a movie with a brutal rape sets the immediate somber tone of the movie and, ironically, a tone that we often get away from. There are so many genres in this French-subtitled film. It can be classified as drama, romance, suspense, thriller, revenge, mystery, and even comedy. I’d be lying if I said I understood every component of this movie without having to do some research for it afterward. The older gentleman didn’t have that problem and began clapping as we rolled to the credits. I saw this film because Isabelle Huppert (Things to Come, Amour) is a lock for a Best Actress Academy Award nomination after winning a Golden Globe. I think she has a solid chance to win. Natalie Portman (Jackie) and Emma Stone (La La Land) are her only real competition.
The Hunt (2013)
Mads Mikkelsen is most notably known as a villain. Whether you recognize him more as the man opposing James Bond in Casino Royale or as Hannibal Lecter on NBC’s hit show Lecter, he’s very adept at playing the bad guy. But, in the most poignant performance of his career and one that earned him praise across the globe, Mikkelsen stars as Lucas, a kind and gentle daycare employee falsely accused of molesting one of his students in the Danish film and Academy Award-nominated foreign language film The Hunt. I struggle with movies that are subtitled. My philosophy often is if I can view a good movie in English or one that is in another language that will force me to spend a couple of hours reading while also trying to pay attention to the visuals on the screen, why wouldn’t I pick the movie in my native language? Unless a movie (or one of its leads) is nominated for an Academy Award (Amour, Maria Full of Grace), is recommended by a friend (The Lunchbox), or doesn’t have an English substitute (North Face), I’m probably not going to give it a chance. It’s not because I think that those movies will be bad. Like everyone, I have a job and many other hobbies, and, frankly, time is limited. However, when a foreign language film does breakthrough, and it is one that I think is well made, it is a film that I am likely to remember for a long, long time, if not for the rest of my life. This was certainly the case with The Lunchbox and North Face and is also the case with The Hunt.
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Two Days, One Night (2014)
While I am not the biggest fan of foreign language films, I am the first to admit that when a foreign movie is excellent, you get to the point where you don’t even notice you are reading subtitles anymore. You become so gripped by the film that it’s not just a great foreign film you are watching…but rather it’s a great film. However, on the flip side, when a foreign film is terrible, it tends to drag and drag and drag. I think part of that reason is that you’ve tuned out the movie so much that you have no idea where you are in the film when you do glance back. As a result, it becomes a dreadful movie experience. I feel that almost all foreign films I watch are based on recommendations. Rarely will I be perusing Netflix and seeing a movie and adding it to my queue because it’s a “foreign movie.” I am far more likely to eliminate a film in subtitles than I am to entertain it. As a result, I rarely find a foreign film to be mediocre. I usually end up either liking the movie a ton of feeling like I just wasted two hours of my life. There are, of course, exceptions to the rule, and that is exactly what Two Days, One Night is. It is a movie that is mediocre in every sense. It had nothing to do with it being a foreign film. Had it not had subtitles, it would have been equally mediocre.
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North Face (Nordwand) (2010)
If I could describe the Germany-released movie North Face in just a single word, it would be the word horrific. Based upon the true story about a competition to climb the most dangerous rock face of the Swiss Alps, the subtitled movie gets better and better with each passing frame. For those moviegoers who aren’t into subtitled movies, I can sympathize. I tend to groan when I know I’m about to embark on one of those too. Subtitled movies are ones that you need to prepare for, and, unfortunately, when a subtitled movie is bad, it almost becomes twice as dreadful to trudge through. But, at the same time, I have seen some fantastic foreign-language movies, and North Face ranks right up there with them. And, as with any good subtitled movie, when you are truly engaged, you don’t even notice you are reading the words anymore. I’m not sure how I came across this movie, other than the fact that I love a good adventure movie (I am one of those people that tends to separate the adventure genre from the action genre).
Continue reading North Face (Nordwand) (2010)