The Girl on the Train will often be confused with and frequently compared to
Gone Girl, 2014’s box office success that also registered well with the critics. Both were highly anticipated adaptations of successful novels by two more popular present-day writers. Both movies revolve around complex female characters who may not be mentally stable. It’s easy to see how some people might say that
The Girl on the Train could be considered a rip-off of
Gone Girl, but it’s not. The book had already been written, and the movie had already been in the works. The movies are actually quite different from one another. And, with that said, it’s easy for me to see how
The Girl on the Train might achieve the same financial success, but how its 43% fresh on Rotten Tomatoes is slightly less than half that of
Gone Girl‘s 88%. In addition, the movie was far less captivating and much less memorable. Nonetheless,
The Girl on the Train is an okay movie. It is much better than the book. And while it doesn’t offer the same intriguing storyline as
Gone Girl, it’s worth checking out.
Continue reading The Girl on the Train (2016) →
Perhaps one of the most unconventional sequels of all time, 10 Cloverfield Lane assembles almost no resemblance to 2008’s cult classic Cloverfield other than maybe its name. The movie takes place in rural Louisiana, while Cloverfield takes place in New York City. We never truly know how much 10 Cloverfield Lane will be in the future, but we can assume it’s as soon as a couple of days and as long as a couple of weeks. Cloverfield was a shaky camera-found footage film about aliens invading the city. 10 Cloverfield Lane is not that. It’s more like a spin-off than it is a sequel. An alien invasion is a possibility for how these characters find themselves. Still, it is just one of the possibilities described by Howard (John Goodman – 
I cannot help comparing Escobar: Paradise Lost to Leonardo DiCaprio’s The Beach. There were quite a few similarities and also quite a few differences. I’ll start with the differences first. Except for The Man in the Iron Mask (which wasn’t promoted as a blockbuster), The Beach was DiCaprio’s first marketed movie since Titanic. It had a massive promotional campaign and was expected to vault DiCaprio even further as Hollywood’s next leading man. I had huge hopes for The Beach and liked it. Unfortunately, the movie was panned by audiences and critics alike. But before I get pounced on for enjoying it, please note that I saw this movie when I was about 24. That is my defense. I cannot defend the actions where I have watched the movie about three times since then. But I like the idea of a paradise that’s too good to be true and a lead character suddenly so far over his head that he has no means of getting out. This was a similarity to the much less marketed Escobar: Paradise Lost, a movie that received mixed reviews but, for the most part, had as many people who didn’t like the film as it had people who did.