The American starring George Clooney (Michael Clayton, Up In The Air) was a movie I wanted to love but never really did. Clooney is a fantastic actor, but his films, at least to me, are hit or miss. Over the span of a couple of months in 2009, I watched both Michael Clayton and Up In The Air, and these proved to be two favorite films of his EASILY. I thought the days of Leatherheads, Burn After Reading, and The Men Who Stare at Goats were behind him. There certainly is an audience for these last three movies, judging by their modest box office revenue and mixed reviews, but I am not a part of that audience. I much prefer his action movies (Out of Sight), his adventure movies (The Perfect Storm), his smart comedy/dramas (Oceans 11), or films like Michael Clayton and Up In The Air, which are both as close to perfect as movies to get.
Category Archives: Mystery
A Clockwork Orange (1971)
It is hard to add a lot of new insight to a movie that has been reviewed thousands upon thousands of times and is liked so much that it is ranked #46 in the AFI’s Top 100 List of Greatest Movies. With that said, most reviews of A Clockwork Orange were written in 1971, when the movie was released. I watched this movie for the first time in 2011, 12 years after the death of its director, Stanley Kubrick (The Shining, Full Metal Jacket). To date, this will be the oldest movie that I have reviewed.
All Good Things (2010)
Based loosely on the true story of one of the most prolonged missing person cases in New York, Andrew Jarecki’s (Capturing the Friedmans) All Good Things tries hard to tell a story but ultimately fails to form anything meaningful or lasting. I say it is based “loosely” on a true story because this case is still an open case. As a result, this story is a wishy-washy mess based upon a jumble of fact, rumor, conjecture, and psychoanalysis. By the end of the movie, you could care less about what happens to each of the characters. You would rather just have some logical conclusion. Unfortunately, that’s not what you get. I felt myself wanting and wanting to like this movie, but I grew increasingly frustrated as the movie dragged toward its unsatisfying conclusion.
The Horseman (2008)
The Horseman is Australia’s version of Taken without the star power and filmed with a much lower budget. It stars Peter Marshall (pretty much an unknown in the United States) in his first starring role as Christian Forteski, a distraught father who goes on a killing rampage after discovering clues that have led to the death of his 20-something-year-old daughter. It’s a revenge flick, and while there isn’t anything new offered when compared to similar movies, it still holds the viewer’s attention. Some of that might have to do with an unknown cast because it was shot exclusively with handheld cameras or not produced in America. So, while you’ve seen this plot in hundreds of different movies if you can stomach the torture scenes, you’ll be entertained. And while you might not remember anything about this movie two weeks from now, you’ll remember that it did hold your interest.
Continue reading The Horseman (2008)
The Nines (2007)
The Nines did nothing to convince me that Ryan Reynolds (The Proposal, The Amityville Horror) is the great actor many consider him to be. I’m still waiting on one Ryan Reynolds movie that I enjoy. I’m expecting I will enjoy The Green Lantern, but my enjoyment of this movie might be despite Ryan Reynolds and not because of him. I also suspect I will enjoy Buried when I watch it. I have heard good things about his performance in that movie. As for now, Ryan Reynolds did nothing in The Nines to improve my perception of him as a lead actor.