Swan Lake director Thomas Leroy (Vincent Cassel –
Eastern Promises, Oceans 12) welcomes his production company for the upcoming season with the following little story.
“We all know the story. The virginal girl who is pure and sweet but trapped in the body of a swan. She desires freedom, but only true love can break the spell. Nearly granted is her wish in the form of a prince. But, before he can declare his love, the lustful twin, the Black Swan, tricks and seduces him. Devastated, the White Swan leaps off a cliff, killing herself and, in death, finds freedom”.
It’s short and simple, and we all understand it. And it’s the basis of Leroy’s ballet. As Thomas tells this story to his attentive company, he taps a few females on the shoulder. One of these women will replace an aging Beth (Winona Ryder – Edward Scissorhands, Girl, Interrupted) as the prima ballerina for the opening production of their new season, Swan Lake. Nina (Natalie Portman – The Other Boleyn Girl, Closer ) is one of the girls who is tapped and ultimately awarded the role.
Continue reading Black Swan (2010) →
1997’s The Game was David Fincher’s film movie as a director, but the first following the highly successful and fan-favorite Se7en. Fincher’s first movie was Alien 3, which had many franchise fans wishing the series had ended with Aliens. With one flop and one success under his belt, Fincher needed to make a statement with his third movie to prove that Se7en was not a fluke. The Game grossed $48 million at the box office, roughly half of what Se7en brought in, but this was still considered a success. Moreover, perhaps more importantly, it was a success with the critics. Following this movie, Fincher became a household name. Still, he has picked his projects carefully. From 1993 to 2010, Fincher has directed just nine movies. However, His most recent films (The Social Network, 2010, and The Curious Case of Benjamin Button, 2008) garnered him Academy Award nominations for Best Director.
“My wife likes to say there are two kinds of people. Those who are chasing pleasure and those who are running from pain. Maybe she’s right. I don’t know. What I do know is this. Pleasure helps you forget. But pain, pain forces you to hope. You tell yourself this can’t last. Today could be different. Today, something just might change.”
Watching Mel Gibson as a loving father gone raging madman in Martin Campbell’s (Casino Royale, The Mask of Zorro) 2010 Edge of Darkness doesn’t seem as much a stretch of the imagination as it might have seemed a few years ago. In his first starring role since 2002’s Signs, Gibson plays Thomas Craven, a detective of the Boston Police Department and a single father of one. After Craven witnesses the killing of his 24-year-old daughter Emma (Bojana Novakovic), murdered on the steps of his own by a drive-by shooter, he becomes obsessed with finding out who killed his daughter and, more importantly, why. This movie was a modest success both with critics and with audiences. Still, it made over $100 million less than the 2008 Liam Neeson movie Taken, which is similar in plot but delivers the goods and has you rooting for Neeson. This is more than you can say for Gibson’s character.
Long before he was turning heads and receiving Oscar nominations for dismantling bombs in Iraq (