Paul Verhoeven (Basic Instinct, Total Recall) Elle opens with a scene that even the most jaded person would find difficult to watch. Whenever we see a rape scene on the big screen, we are mortified. Rape is a crime we abhor and, next to murder, the one we find most unacceptable in society. To start a movie with a brutal rape sets the immediate somber tone of the movie and, ironically, a tone that we often get away from. There are so many genres in this French-subtitled film. It can be classified as drama, romance, suspense, thriller, revenge, mystery, and even comedy. I’d be lying if I said I understood every component of this movie without having to do some research for it afterward. The older gentleman didn’t have that problem and began clapping as we rolled to the credits. I saw this film because Isabelle Huppert (Things to Come, Amour) is a lock for a Best Actress Academy Award nomination after winning a Golden Globe. I think she has a solid chance to win. Natalie Portman (Jackie) and Emma Stone (La La Land) are her only real competition.
Category Archives: Mystery
Allied (2016)
While a 65% fresh score on Rotten Tomatoes suggests a movie should be checked out, sometimes you wonder why the score isn’t higher. Allied, the Robert Zemeckis (Back to the Future, The Walk) World War II love story set in Casablanca and London about two intelligence officers from opposite sides of the world says a lot. The movie has been loosely referred to as Mr. and Mrs. Smith (because of Brad Pitt) meets Casablanca. While I understand the reference, this is far from the truth. I was not too fond of either of these other movies. While I did not particularly like either of those movies, I enjoyed Allied.
Nocturnal Animals (2016)
Almost perfect. While it may not even end up in my top five movies of the year, Tom Ford’s (A Single Man) Nocturnal Animals was almost perfect. I liked it so much in this movie, and Ford almost created a masterpiece, but it fell short. An A- for sure. Maybe even an A. But it won’t be the 49th movie I’ve seen that would classify as an A+. Jake Gyllenhaal (Love and Other Drugs, Everest) is better than ever, and he could end up with an Oscar nomination for this film. In a perfect world, he would, especially since he may have been the odd man out in 2015 (Nightcrawler) and 2016 (Southpaw) for a Best Actor Academy Award. But with four of the five slots pretty much locked up (Tom Hanks – Sully, Denzel Washington – Fences, Casey Affleck – Manchester by the Sea, Joel Edgerton (Loving), that leaves only one more nomination between Gyllenhaal, Ryan Gosling (La La Land), Warren Beatty (Rules Don’t Apply), and Andrew Garfield (Hacksaw Ridge). And, honestly, while his performance was excellent, it wasn’t nearly the performance he gave in either Nightcrawler or Southpaw. Ford’s chances for a Best Directing nod look even dimmer, and an impressive performance by Amy Adams (The Fighter, American Hustle) may be overlooked entirely because she will likely receive a nomination (and may even be the frontrunner) for Arrival, a movie that was released just a week before Nocturnal Animals.
Arrival (2016)
Alien, Fire in the Sky, Independence Day, Men in Black, Starship Troopers, Cloverfield, Signs, Prometheus. These are some of the many movies that have successfully explored contact in some form with extraterrestrial beings in some form. And then you have films like E.T., Close Encounters of the Third Kind, Cocoon, Contact, Solaris, District 9, Gravity, Interstellar, and The Martian, which are also movies about either extraterrestrial encounters or innovative space exploration that deal more with human component or relationship building than they do action, adventure, and a post-apocalyptic future. Add Denis Villeneuve’s (Sicario, Prisoners) Arrival as the latest movie to try to get itself on this impressive list. The critics (93% on Rotten Tomatoes) and audiences (82%) have enjoyed this movie.
The Girl on the Train (2016)
The Girl on the Train will often be confused with and frequently compared to Gone Girl, 2014’s box office success that also registered well with the critics. Both were highly anticipated adaptations of successful novels by two more popular present-day writers. Both movies revolve around complex female characters who may not be mentally stable. It’s easy to see how some people might say that The Girl on the Train could be considered a rip-off of Gone Girl, but it’s not. The book had already been written, and the movie had already been in the works. The movies are actually quite different from one another. And, with that said, it’s easy for me to see how The Girl on the Train might achieve the same financial success, but how its 43% fresh on Rotten Tomatoes is slightly less than half that of Gone Girl‘s 88%. In addition, the movie was far less captivating and much less memorable. Nonetheless, The Girl on the Train is an okay movie. It is much better than the book. And while it doesn’t offer the same intriguing storyline as Gone Girl, it’s worth checking out.