The Nines did nothing to convince me that Ryan Reynolds (The Proposal, The Amityville Horror) is the great actor many consider him to be. I’m still waiting on one Ryan Reynolds movie that I enjoy. I’m expecting I will enjoy The Green Lantern, but my enjoyment of this movie might be despite Ryan Reynolds and not because of him. I also suspect I will enjoy Buried when I watch it. I have heard good things about his performance in that movie. As for now, Ryan Reynolds did nothing in The Nines to improve my perception of him as a lead actor.
Category Archives: Genre
Salt (2010)
The one thing I kept focusing on during my viewing of Salt was that this movie was written specifically with the idea that Tom Cruise would be playing the lead role. Instead, Cruise opted to co-star with Cameron Diaz in the romantic adventure Knight and Day. And while Knight and Day was pleasantly entertaining and a movie I recommend, Cruise would have preferred to have Salt in his filmography rather than Knight and Day. I believe he took Knight and Day because the role allowed him to be a quirky, jovial type of character and also because many might identify Salt as a Mission Impossible franchise movie.
Dark Country (2009)
Thomas Jane’s directorial debut leaves much to be desired. I enjoyed Dark Country more and more for the movie’s first two-thirds. However, the film loses me once it starts going from trying to be a believable mystery to an over-the-top parade of being there/done those moments. I can appreciate movies that force a character to go mad until he slowly reaches the depths of hell (Apocalypse Now, 1408, American Psycho, and, of course, The Shining). But if this is the result you aim for, you will need a first-time director to accomplish that. Dark Country could have gone in a dozen different directions. Unfortunately, for me, and probably for you, too, I was led on a path that left me dissatisfied.
Continue reading Dark Country (2009)
The Blob (1988)
I should have watched the original version of The Blob (1958 – Steve McQueen) before watching this version. It seems, to me, that if a movie is a remake, you have to see the original film first to see that movie. That is if you plan on watching either movie. At the same time, the original is often so much better than the remake that it might make you appreciate the newer version even less. And if you are a big fan of the movie, you might also go a step further and read the book (if the film was based upon a book). No matter how much we, at times, don’t want them to, Hollywood is going to keep remaking movies. Whether Hollywood is out of original ideas or they know that a newer version of a film is a fortune waiting to be happy, we don’t know. We understand that some remakes will be good, some will be bad, and some we will shake our heads and ask ourselves, “What were these movie studios thinking?”
Blue Valentine (2010)
Derek Cianfrance’s Blue Valentine did nothing but further enhance my opinion that 2010 has been the best year for movie releases in my lifetime. Blue Valentine was one of the few movies of 2010 that I did not see in the theatre, and I can only imagine the impact it would have had on me had I seen it on the big screen. It is a raw, emotional antithesis of the ideal life. As the movie ends, you will be grateful that what you have just seen does not parallel your life and hope it never will.