“Nice Guys Finish Last.” That’s a saying we’ve all heard before. The grunge band Green Day wrote an iconic song about it in the mid-1990s. I’ll alter the quote slightly by saying that The Nice Guys finishes last. This was not my favorite movie. I knew I would probably feel this way going into the film, but I was willing to sacrifice the two hours because it starred two of my favorite actors, Ryan Gosling (Blue Valentine, Drive) and Russell Crowe (Gladiator, A Beautiful Mind). Despite its 90% fresh rating on Rotten Tomatoes, I had no faith in this movie. Its style wasn’t my favorite. Shane Black (Iron Man 3, Kiss Kiss, Bang Bang) style for directing this movie was similar to that of Joel and Ethan Coen in that it blended comedy, drama, action, dark comedy, crime (both organized and unorganized), and even small bits of horror to try to come up with a unique idea. Was The Nice Guys a unique idea? No, not really.
Category Archives: Genre
Captain America: Civil War (2016)
Captain America: Civil War is perhaps the greatest superhero movie that Christopher Nolan has not directed. My two favorite superhero movies (The Dark Knight and The Dark Knight Rises) belong to him. As of this post, my third favorite is a toss-up between Batman Begins, Iron Man, and Captain America: Civil War. Others (such as The Amazing Spider-Man, Iron Man 2, Captain America: The Winter Soldier, etc.) are up there, but there is clearly a distinction between the top 3 or 4 and all of the others. I hope superhero movies continue to improve, but unfortunately, we get 3 to 4 bad ones for every good one. So when we get a film like Captain America: Civil War, it’s important to take pause, see it, praise it, and encourage more movies like it because we know that poor movies will continue to be made because all of them seem to gross over $100 million easily. And the reason they do is our fault. We continue to see these terrible movies. But that is a different story for a different day.
A Walk in the Woods (2015)
A Walk in the Woods, the 2015 comedy-drama that I thought would be a throwaway movie I originally only watched so that I could add it to my list, turned out to be one of the year’s biggest surprises. Now, don’t get me wrong. I’d be a fool to think that a year from now, I’d remember anything from this movie or that I’ll ever watch this movie again. But for two hours on a Tuesday night in the middle of April, it was a refreshing escape from reality, and the movie had me grinning from ear to ear from the first scene until the last. Also, if Robert Redford (The Horse Whisperer, All is Lost) or Nick Nolte (The Prince of Tides, Warrior) called it a career today, and this was either of their last movies, that would be okay.
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Eye in the Sky (2016)
Eye in the Sky was a movie I knew nothing about before I viewed it. Based on the promotional poster, I thought this would be a science fiction movie. It was by no means a science fiction movie. The best way to describe it is a war on terror movie that focuses on how mission objectives and moral decisions are sometimes. Regarding movie comparisons, I would say it is American Sniper meets Lone Survivor meets Platoon meets Lions for Lambs meets 2015’s little-known Good Kill (as a quick aside, I would suggest seeing this movie before seeing Eye in the Sky. You’ll learn more about drone missions. Eye in the Sky expects you to know a little about these without explaining them). That is certainly a lot to compare. Ironically, American Sniper and Lone Survivor were my favorite movies of the year (2014 and 2013, respectively), while Platoon was my third favorite movie of 1986. I mention this because I was not the biggest fan of Eye in the Sky. I know the movie has done well with the critics (92% on Rotten Tomatoes), but it was a little loose and not drawn to the story as well as I could have. This and the combination of a clunky beginning while also being a movie shot mostly in real-time, and you have a movie that felt like it failed in more avenues than it succeeded in. With that said, this wasn’t a bad movie, and it got much better the further you got into it.
Midnight Special (2016)
Midnight Special. First, the good. The tone was incredible. It was seductive. It was menacing. It was creepy. It was engaging. It kept you on the edge of your seat. Finally, it had the right director. Jeff Nichols (Mud, Shotgun Stories) is still pretty new to the game. This is just his fourth directorial effort, and, once again, Nichols teams up with Michael Shannon as his leading man (99 Homes, Revolutionary Road) for the first time since the incredible Take Shelter, a movie that was nothing short of a thing of genius. In addition to the amazing Take Shelter, Mud, and Shotgun Stories were both fantastic movies. Midnight Special was supposed to be the next great chapter in the Nichols/Shannon book of greatness. Unfortunately, this was the furthest thing from the truth.