The best movie of 2014 that has flown under the radar is, without a doubt, J.C. Chandor’s (All Is Lost, Margin Call) A Most Violent Year. As I will mention in the paragraphs below, this movie is subtly fantastic. But before I get into the film, I want to talk about Chandor. This guy is quietly establishing himself as a master of two crafts. A Most Violent Year is just his third movie, but it is the third for which he has directed and written the screenplay. And all three films have earned at least 88% fresh on Rotten Tomatoes even though none made more than $8 million at the box office. All three movies are unique from one another, and Chandor has already had the opportunity to work with some of the biggest names in Hollywood (Robert Redford, Kevin Spacey, Jeremy Irons, Demi Moore, Stanley Tucci, Oscar Isaac, David Oyelowo, Jessica Chastain, and Albert Brooks). He has already signed on Mark Wahlberg to star in his next project. And while All Is Lost and Margin Call were both unique movie experiences, A Most Violent Year is Chandor’s crowning achievement to date.
Continue reading A Most Violent Year (2014)
Category Archives: Genre
The Judge (2014)
The Judge was exactly what I thought it would be: an average fictional movie released in the heart of better films based on true stories. There was a lot of hype around this movie, but I felt it would do nothing for me. And that was what happened. Audiences seemed to like this movie while critics slammed it. I’m in favor of the critics. At best, this was an average movie. At worst, it was a movie that tried every trick to get you to think it was a great movie. The fact that Robert Duvall (Apocalypse Now, The Apostle) got a Best Supporting Actor Academy Award nomination is a bit of a joke. His performance is a bit of an embarrassment when you compare it to the four other nominees. The highlight of this movie is not the story. Nor is it Duvall. If you are going to see this movie at all (which I would recommend you don’t), you would see it for Robert Downey Jr.’s (Iron Man, Chaplin) outstanding performance.
Continue reading The Judge (2014)
Cake (2014)
If you are looking to see the second-best performance (nobody is going to be able to touch Julianne Moore in Still Alice) by an actress in 2014, check out Daniel Barnz’s (Won’t Back Down, Phoebe In Wonderland). While the movie might not wow you, the performance of Jennifer Aniston (The Good Girl, Rock Star) absolutely will. Nearly unrecognizable, the one-time Friend is a physical and emotional wreck throughout the movie. Playing Claire, a mother who lost her young son in an automobile accident while accruing numerous injuries to her legs, arm, back, and face that have forced her to become addicted to pain killers, Aniston performs her career. I have yet to see two of the five nominees for Best Actress (Moore and Marion Cottilard – Two Days, One Night). But I will say that Aniston’s performance does rival Reese Witherspoon (Wild), Rosemund Pike (Gone Girl), and Felicity Jones (The Theory of Everything). I’ll give Cottilard the benefit of the doubt and say that maybe there were six great performances for five spots. However, if I were voting, Aniston would have got my vote over Jones (even though I thought Jones was great). I will explain why in the paragraphs below.
American Sniper (2014)
In a year that hasn’t had that many must-see movies, American Sniper has proved that there is at least one reason to head out to the theaters. 2014 has been the most disappointing year overall for movies since 2008. Yet despite its horrendous start and some incredibly overrated movies (Birdman, Unbroken, Mr. Turner, Snowpiercer, Godzilla, even Boyhood to an extent), some films did manage to live up to their expectations (Foxcatcher, The Theory of Everything, The Imitation Game). In addition, some movies exceeded my hopes for them (The Drop, Nightcrawler, Kill the Messenger, and the surprise, feel-good movie of the year, Chef). But the film that had the most pressure on its shoulders to perform was American Sniper, the final released movie of the year. And while the movie did not exceed my expectations, it certainly met them in every single way. So before I review the film, I want to refer to a couple of observations.
Selma (2014)
Selma has a movie that will leave many audience members clapping as the film concludes. It’s a feel-good movie and an important one for all generations to see. Older generations maybe we have forgotten some of the critical details over the years. Younger generations may be being exposed to this for the first time, or at least the first time outside of maybe a textbook or one of those dry 45-minute, made-for-education documentaries. I am happy this movie received a PG-13 rating rather than an R one. It is an essential movie for everyone to see. I am not one who will ever cheer or hoot and holler at the end of a movie. That isn’t my style. I was talking with my mom the other day, and she said people stood and clapped at the end of Unbroken. I found Unbroken to be one of the most overrated, bland movies. Selma certainly isn’t that, and I was happy there were some cheers at the end of this movie. I think I’m just seeing it at a time in my life where, outside of a select few movies (including none in 2014…still some hope for American Sniper, though) where I am just not going to be moved in the same things that a typical audience might be. My favorite movies these days are dark, psychological thrillers (Foxcatcher) or movies about either wrecked relationships/less than perfect relationships (Blue Valentine, Take This Waltz, Revolutionary Road, All the Real Girls) overcome diversity to find a way (The Curious Case of Benjamin Button, The Painted Veil). So just where I was with my mental state, I had sort of had a mental block going in. I was confident I would like the movie, but I was by no means ready to see it was going to win all of these Academy Awards for which it will likely receive nominations. The nominations it will receive. The wins, I think, could become hard to find.
Continue reading Selma (2014)