Long before Claire Danes began earning multiple Emmy Awards as the bipolar Carrie Mathison on Showtime’s knock-out series Homeland, she starred in lesser-known independent movies like Brokedown Palace, Igby Goes Down, and 2005’s completely underappreciated Shopgirl. I watched this movie for the first time back in 2008 or 2009 and was blown away by how awesome and authentic it felt. This was long before Homeland. I have since watched every episode of Homeland (including seasons 1 and 2 twice each), so it was cool to re-watch Shopgirl, knowing everything that I know about the character she plays on the television show that earned her fame. Ironically, this was the first movie that Steve Martin (Parenthood, Three Amigos!) wrote. It turns out he’s written dozens of films (including Three Amigos!, Roxanne, LA Story, The Jerk, and Bowfinger), but this was his first non-comedy. The difference was that with Shopgirl, he wrote the novel in addition to the screenplay. And let me say that he did a great job. I had a couple of problems (which I will include below), but for the most part, he killed it. I would not read this review unless you’ve seen this movie. It’s going to be chock-full of spoilers. I would love to hear your thoughts on it if you have had a chance to see it. If you haven’t, you can just stop reading now and check out the movie.
Category Archives: Romance
Something’s Gotta Give (2003)
Romantic comedies are very rarely my thing. I often try to avoid them like the plague. There are, of course, some exceptions to the rule. If it’s a Rated-R raunchy romantic comedy like The 40-Year-Old Virgin, Knocked Up, Forgetting Sarah Marshall, There’s Something About Mary, etc. I’m in. But those movies have become their brand. Before 1997, you didn’t see movies like this made. I’m talking about the PG or PG-13 romantic comedies. I like Notting Hill, Garden State, and, of course, Groundhog Day. And movies like My Best Friend’s Wedding, Hitch, and High Fidelity are serviceable. With Something’s Gotta Give, the film sought me out rather than vice versa. Somehow, when I clicked the like button on Netflix, a list of other movies appeared, and I clicked the film’s image and added it to my list.
I don’t remember doing this. So when it arrived, and I ripped open the envelope with excitement, a “What the f*** is this?” and a look of befuddlement were an understatement. So there it sat next to my television for a couple of weeks. In the back of my mind, I knew I would give it a chance. It did earn high marks on Rotten Tomatoes, and it did have a star-studded cast. It would have a short rope, but it would get a chance. I’m glad I did. It was far from a great movie, but despite some severe flaws, it was entertaining enough to recommend. With that said, this movie is a one-and-done for me. I’ll never watch it again. One reason I do this blog is to remember the movies I watch. It is much easier to read a five-minute summary.
A Walk on the Moon (1999)
Promises (the only film he has been nominated for an Academy Award) was the first movie I ever reviewed for my blog. It wasn’t the most straightforward movie to review, and I would like to see it again one day and then read what I wrote for that first review, but that will be something that comes later. He’s a solid actor who seems to do fewer and fewer movies each year, but when he’s on his A-game, there aren’t many who are better. I had never heard of A Walk on the Moon before it showed up as a Netflix recommendation. I quickly threw it in the queue, and I’m glad I did. In addition to a fabulous performance by Mortensen, this was a solid movie with one of the significant foundations of human life at the forefront. It’s the most surprising movie I’ve seen this year, and I may have to reevaluate my 1999 top 10 list. This movie won’t be good enough to get on there, but there’s a chance it will. This review may be the deciding factor.
Top Five (2014)
The short. Skip Birdman. See Top Five. It’s the same movie with a couple of exceptions. Top Five has humor, is much more realistic, and you can relate to it more. It also isn’t the most over-hyped movie in the last five years. In fact, despite its 88% “fresh” rating on Rotten Tomatoes and lots of word of mouth on the street, it still surprisingly didn’t do all that well at the box office (just $23 million domestically). I did not see this movie in the theater, though it tempted me. The most significant thing going against the film was its release date. It opened on December 12th, right in the middle of when all of the big-time award movies were in the theaters. As a result, it got lost in the shuffle. If the studio could go back in time, they might have released this movie in August.
All the Real Girls (2003)
Director David Gordon Green is quietly creeping into the upper echelon of movie directors. However, he is probably a name most people still have not heard of. Green is known for doing these smaller, independent, character-driven movies that are often set in Anytown, USA. To me, the movies are incredibly realistic because they dive so deeply into raw, everyday emotions, explicitly dealing with love, lust, jealousy, anger, and hurt. Keep in mind, as I say this, that he has also directed comedies with stupid humor like Pineapple Express, The Sitter, and Your Highness, which shows how ultra-talented the man is. The movies I am talking about are George Washington, Undertow (which I didn’t like but appreciated), and Snow Angels, a film I admire in every aspect. I’d need to go back and watch Snow Angels again (a movie I watched for the second time ever, no more than 3 or 4 months ago) before deciding if I like it or All the Real Girls better. Both of these movies capture the pureness of simple filmmaking.