The Light Between Oceans was a flawed movie that is likely to bore many, if not most, of its moviegoers. This was evidenced by the guy sitting behind me who was sawing logs for the entire second half. But I am a sucker for broken relationship movies caused by some strife, and that’s what I got here. The only thing I knew about this movie was that it was about a couple living on a small island while he managed a lighthouse and that they found a baby in a boat they took as their own after she suffered a series of miscarriages. I wish I had gone in knowing nothing about this movie.
All I needed to know was that it was a heavy drama, that it featured one of my favorite actors (Michael Fassbender – Shame, Steve Jobs), one of the following great actresses of our time who arrived on the scene with two massive performances in 2015 (Alicia Vikander – Ex Machina, The Other Danish Girl), and the director of one of my favorite movies of all-time (Derek Cianfrance – Blue Valentine, The Place Beyond the Pines). That enough would have gotten me in the theater. That is enough for me to give this a positive review despite a story that had much promise but had some uneven turns, ultimately leading to characters making decisions that didn’t make much sense. What I loved most about this movie (which will be the focus of this review) is how two different people can face the same ethical dilemma and how the decision can eat one person up so much that they almost can’t live with themselves. In contrast, the other person can continue living their life peacefully as if the decision they had to make was whether to have sausage or pepperoni on their pizza the night before.
I saw Me Before You back in 1991. It was called Dying Young, and Julia Roberts was the star. It stunk. I am entirely joking, but I promised myself I would use this as the first line of this review, regardless. The truth is I didn’t see Dying Young until 2005. That part is true, but the real truth is that these movies aren’t even in the same league. Dying Young wasn’t as poor as I thought, but I don’t remember much about it. On the other hand, Me Before You was an incredibly profound movie I will remember for years. It is also a movie that showcased Emilia Clarke’s range (HBO’s Game of Thrones) and firmly planted her as a leading actress for the next 10-15 years. The film also introduced Sam Claflin to the rest of the world, who had not seen 
I cannot help comparing Escobar: Paradise Lost to Leonardo DiCaprio’s The Beach. There were quite a few similarities and also quite a few differences. I’ll start with the differences first. Except for The Man in the Iron Mask (which wasn’t promoted as a blockbuster), The Beach was DiCaprio’s first marketed movie since Titanic. It had a massive promotional campaign and was expected to vault DiCaprio even further as Hollywood’s next leading man. I had huge hopes for The Beach and liked it. Unfortunately, the movie was panned by audiences and critics alike. But before I get pounced on for enjoying it, please note that I saw this movie when I was about 24. That is my defense. I cannot defend the actions where I have watched the movie about three times since then. But I like the idea of a paradise that’s too good to be true and a lead character suddenly so far over his head that he has no means of getting out. This was a similarity to the much less marketed Escobar: Paradise Lost, a movie that received mixed reviews but, for the most part, had as many people who didn’t like the film as it had people who did.
Sleeping With Other People was the fifth movie I saw over 48 hours. The Finest Hours, 
Every once in a while, you see a series of trailers that convince you that a movie will be fantastic. Sometimes this holds to be true, and sometimes it doesn’t. Sometimes, you convince yourself that a film is going to be amazing based on the trailers alone. And then, when the critics support your belief by giving the movie high praise, you head into that movie thinking that you are about to see something exceptional. I thought Todd Haynes (