I’m officially calling Michelle Williams the best actress of my generation. Some people will agree with this statement, but many more will probably disagree. I think most people would say she is a very good actress but will be more hesitant to say excellent. To call her the best is a bold statement. But that’s what she is. To those who would quickly dismiss this statement, I encourage them to explore her complete filmography. She has some gems out there that are relatively unknown. Williams is very deserving of the three Academy Award nominations she has received (Best Actress in a Leading Role – Blue Valentine 2010, My Week with Marilyn 2011, Best Actress in a Supporting Role – Brokeback Mountain 2004). It is merely a matter of time before she wins her first of many Oscars.
Category Archives: Romance
The Adjustment Bureau (2011)
As I started watching The Adjustment Bureau, I was surprised to see it was based on a short story by Philip K. Dick. I then spent the first ten minutes of the movie trying to think of all of the novels and short stories written by Dick that were made into movies. The list is massive and includes hits like (Minority Report, Blade Runner, A Scanner Darkly), misses like (Imposter, Next, Screamers), highly overrated movies (Total Recall), and highly underrated movies (Paycheck). I wouldn’t put The Adjustment Bureau in any of these categories. It was a moderate hit ($62 million domestically, $128 million worldwide) based on a $50 million budget. It earned a 72% approval rating on Rotten Tomatoes. It was more a hit than a miss, but it certainly was no Minority Report or Blade Runner. Another interesting fact about Dick was that for every movie/short story, he wrote that was made into a movie, he wrote 15-20 times as many that were not made into movies. Philip K. Dick was, in his day, to the science fiction genre what Stephen King is to the horror genre today.
Midnight in Paris (2011)
Not being the hugest fan of Woody Allen, I had convinced myself I would never see Midnight in Paris when 1) I heard that Owen Wilson was the star and 2) I saw the trailer for the first time. Woody Allen has never done much for me. I can appreciate how much he has contributed to Hover over the years. He really doesn’t take much of a break. More importantly, I like that he writes most of the screenplays for his movies if not all. And while there have been a couple of his films that I did like (most notably Annie Hall and Match Point), for the most part, I have found them to be rather stale. I know he has his die-hard fans who will see anything that he sees. I will most likely only see a Woody Allen movie if it earns a Best Picture Academy Award nomination. Hence, my review.
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The Hustler (1961)
Continuing my alternating pattern between Paul Newman and Michelle Williams movies, I watched the Robert Rossen (All The King’s Men, Body and Soul) 1961 classic The Hustler. This movie stars Paul Newman (Cool Hand Luke, Hud), perhaps in his most recognizable role. If someone were asked to name a billiards player, either real or fictional, the name Fast Eddie Felson would be on the tips of most people’s tongues. Twenty-five years between the release of The Hustler and 1986’s The Color of Money is the longest period between an original movie and its first sequel. Newman’s performance as Fast Eddie in the sequel is the one that won him his overly due Oscar Win for Best Actor.
Incendiary (2008)
After watching Blue Valentine about 5 or 6 times within my first month of owning it and then re-watching Brokeback Mountain a couple of months ago (the first time I saw it was in the movie theater), I’ve been itching to go on a Michelle Williams streak. I had no idea her filmography was already so long, and while I’m not going to watch some of the films very early on in her career (such as Halloween H20 or But I’m a Cheerleader), I’m anxious to see the movies she’s starred in since her Dawson’s Creek days. One of those movies was Sharon Maguire’s (in just her second directorial effort, following the highly popular Bridget Jones’s Diary) Incendiary.