
Sleeping With Other People (2015)

Every once in a while, you see a series of trailers that convince you that a movie will be awesome. Sometimes this holds to be true, and sometimes it doesn’t. Sometimes you convince yourself that a film is going to be amazing based upon the trailers alone. And then, when the critics support your belief by giving the movie high praise, you head into that movie thinking that you are about to see something exceptional. I thought Todd Haynes (Far From Heaven, I’m Not There) was about to strike gold with Carol. He had the players. With apologies to Jennifer Lawrence, Cate Blanchett (Blue Jasmine, The Curious Case of Benjamin Button) is the current leading lady in Hollywood. When I first heard Blanchett’s soothing voice-over speaking to an unidentified character during a trailer with lots of drama, strife, and unpopular decisions with the leads, I could not help but be engrossed. I don’t know who created this trailer, but this individual should have directed Carol rather than Haynes because they brought more drama to a two-minute snippet than Haynes brought in two hours. This isn’t an exaggeration. The trailer is THAT good, and the movie is THAT disenchanting. Blanchett’s dramas are heavy, and she is at her absolute best when she plays a character who is lost in her confusion. So why wasn’t Carol the movie of the year? My belief was because Haynes and Blanchett blew it. The film lacked all of the drama that the preview led you to believe that it had. And Blanchett’s performance wasn’t so flat as much as it was confusing. I based many of the reviews of other lead actresses this year around how I perceived Blanchett would be in Carol (incidentally, I did the same with Lawrence for her performance in Joy). I completely jumped the gun with both of these actresses and prematurely included them in the same sentences as Brie Larson (Room), Carey Mulligan (Suffragette), and Saoirse Ronan (Brooklyn). While I do believe Blanchett will get a nomination (primarily based on name recognition), it would be a travesty if she were to win over Larson or Ronan.
Continue reading Carol (2015)
Hands down, the best romance of 2015 is John Crowley’s (Intermission, Boy A) terrific Brooklyn. Note that I did not say that this is the most romantic movie of the year, but rather the best romance. This movie features no wining and dining. There are not the passionate, hot and heavy, sometimes stir a little in your seat scenes that you might be used to in movies like Titanic, The Notebook, Pretty Woman, Before Sunrise, (500) Days of Summer, Dirty Dancing, or Ghost. This isn’t R-rated. It isn’t PG-rated. It is very appropriately rated as a PG-13 movie. It’s the closest thing that well resembles the process of two people meeting each other by chance, getting to know each other first casually and then on a much deeper level before falling into an intense and meaningful love that is both believable and beautiful. I did not know this was a love story going into the film. My mantra this year is to know as little about a movie as possible going into it. That doesn’t mean I’ll see just anything. I do have to see first that the film is getting positive reviews. But if it does have decent reviews and it does have Oscar buzz, I’ll make every effort to see it. Brooklyn was a movie that was the most straightforward film in the world to understand, but at the same time, almost impossible to truly comprehend. And in a word, that is love.
Continue reading Brooklyn (2015)
Romantic comedies are very rarely my thing. I often try to avoid them like the plague. There are, of course, some exceptions to the rule. If it’s a Rated-R raunchy romantic comedy like The 40-Year-Old Virgin, Knocked Up, Forgetting Sarah Marshall, There’s Something About Mary, etc. I’m in. But those movies have become their brand. Before 1997, you didn’t see movies like this made. I’m talking about the PG or PG-13 romantic comedies. I like Notting Hill, Garden State, and, of course, Groundhog Day. And I think movies like My Best Friend’s Wedding, Hitch, High Fidelity, etc. are serviceable. With Something’s Gotta Give, the film sought me out rather than vice versa. Somehow when I clicked the like button on Netflix, a list of other movies came up, and I guess I clicked on the picture of the film and added it to my list. I don’t remember doing this. So when it arrived and I ripped open the envelope with excitement, a “What the f*** is this?” comment and a look of befuddlement was an understatement. So there it sat next to my television for a couple of weeks. In the back of my mind, I knew I would give it a chance. It did earn high marks on Rotten Tomatoes, and it did have a star-studded cast. It would have a short rope, but it would get a chance. I’m glad I did. It was far from a great movie, but, despite some severe flaws, it was entertaining enough to recommend a watch. With that said, this movie is a one-and-done for me. I won’t ever watch it again. One of the reasons I do this blog is so that I can remember the movies I watch. It is much easier to read a five-minute summary.
Continue reading Something’s Gotta Give (2003)