I should have watched the original version of The Blob (1958 – Steve McQueen) before watching this version. It seems, to me, that if a movie is a remake, you have to see the original film first to see that movie. That is if you plan on watching either movie. At the same time, the original is often so much better than the remake that it might make you appreciate the newer version even less. And if you are a big fan of the movie, you might also go a step further and read the book (if the film was based upon a book). No matter how much we, at times, don’t want them to, Hollywood is going to keep remaking movies. Whether Hollywood is out of original ideas or they know that a newer version of a film is a fortune waiting to be happy, we don’t know. We understand that some remakes will be good, some will be bad, and some we will shake our heads and ask ourselves, “What were these movie studios thinking?”
Category Archives: Suspense
Hard Candy (2005)
2005’s Hard Candy turned out to be a breakout movie for debut feature film director David Slade (The Twilight Saga: Eclipse), Patrick Wilson (Little Children, Lakeview Terrace), and Ellen Page (Juno, Inception). This was a highly controversial film at the time of its release and did not garner a lot of money at the box office. It is about a 32-year-old sexual predator named Jeff (Wilson) who begins an online relationship with 14-year-old Hayley (Page) that leads to a physical encounter.
The Game (1997)
1997’s The Game was David Fincher’s first directorial effort, following the highly successful, fan-favorite Se7en. Fincher’s first movie was Alien 3, which had many franchise fans wishing the series had ended with Aliens. With one flop and one success under his belt, Fincher needed to make a statement with his third movie to prove that Se7en was not a fluke. The Game grossed $48 million at the box office, roughly half of what Se7en brought in, but this was still considered a success. Moreover, perhaps more importantly, it was a success with the critics. Following this movie, Fincher became a household name. Still, he has carefully selected his projects. From 1993 to 2010, Fincher directed just nine movies. However, His most recent films (The Social Network, 2010, and The Curious Case of Benjamin Button, 2008) garnered him Academy Award nominations for Best Director.
Black Swan (2010)
Swan Lake director Thomas Leroy (Vincent Cassel – Eastern Promises, Oceans 12) welcomes his production company for the upcoming season with the following little story.
“We all know the story. The virginal girl who is pure and sweet but trapped in the body of a swan. She desires freedom, but only true love can break the spell. Nearly granted is her wish in the form of a prince. But, before he can declare his love, the lustful twin, the Black Swan, tricks and seduces him. Devastated, the White Swan leaps off a cliff, killing herself and, in death, finds freedom”.
It’s short and simple, and we all understand it. And it’s the basis of Leroy’s ballet. As Thomas tells this story to his attentive company, he taps a few females on the shoulder. One of these women will replace an aging Beth (Winona Ryder – Edward Scissorhands, Girl, Interrupted) as the prima ballerina for the opening production of their new season, Swan Lake. Nina (Natalie Portman – The Other Boleyn Girl, Closer) is one of the girls tapped and ultimately awarded the role.
127 Hours (2010)
After seeing an episode of I Shouldn’t Be Alive a few years ago that told the story of Aron Ralston, the adventure seeker whose arm was pinned between a boulder and a rock wall and who managed to survive, I wasn’t sure there was a need for a full-length feature film. The only way that Danny Boyle’s (Slumdog Millionaire, Yesterday)127 Hours would be able to affect me was if there was a masterful lead acting performance, some stylish directing, or a combination of the two. Fortunately, that was precisely what happened.