Total creep-fest. 2015 was looking for a legitimate horror. While this movie has completely flown under the radar for the general public, word of mouth has allowed the independent It Follows to become a cult classic quickly. Not only is this the best horror movie of 2015, but it is also the best horror movie in years. Honestly, the feeling that I got while watching this movie was what I expected to feel in, perhaps, the most over-hyped horror movie of all time, 1999’s The Blair Witch Project. When I saw The Blair Witch Project in the theater, I was expecting to be scared in ways that I had been before. I know that a few of the friends I went with were completely freaked out, and I wondered if we had just watched the same movie. The Blair Witch Project is a different type of horror than A Nightmare on Elm Street. I think that perhaps as a 23-year-old, I hadn’t yet adapted to the idea that what you might imagine could be even more terrifying than what you actually see. I’ve mentioned on this blog a couple of times that I need to go back and watch The Blair Witch Project just to see if I view it the same way that I did 16 years ago. By looking at its 87% fresh score on Rotten Tomatoes, I’m willing to admit that I am probably missing something when I give it a grade of a D-. But this is neither here nor there. It Follows is much more like The Blair Witch Project than A Nightmare on Elm Street. Its 96% fresh score on Rotten Tomatoes is very much on par with my view of the movie. It Follows is an instant horror classic.
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Category Archives: Hidden Gems
Brooklyn (2015)
Hands down, the best romance of 2015 is John Crowley’s (Intermission, Boy A) terrific Brooklyn. Note that I did not say that this is the most romantic movie of the year, but rather the best romance. This movie features no wining and dining. There are not the passionate, hot and heavy, sometimes stir a little in your seat scenes that you might be used to in movies like Titanic, The Notebook, Pretty Woman, Before Sunrise, (500) Days of Summer, Dirty Dancing, or Ghost. This isn’t R-rated. It isn’t PG-rated. It is very appropriately rated as a PG-13 movie. It’s the closest thing that well resembles the process of two people meeting each other by chance, getting to know each other first casually and then on a much deeper level before falling into an intense and meaningful love that is both believable and beautiful. I did not know this was a love story going into the film. My mantra this year is to know as little about a movie as possible going into it. That doesn’t mean I’ll see just anything. I do have to see first that the film is getting positive reviews. But if it does have decent reviews and it does have Oscar buzz, I’ll make every effort to see it. Brooklyn was a movie that was the most straightforward film in the world to understand, but at the same time, almost impossible to truly comprehend. And in a word, that is love.
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Sicario (2015)
With three months left to go in 2015, we have a new contender for the best movie of the year, and the name of that movie is Sicario. This movie is a fantastic ride that will keep you thoroughly engrossed and guessing the entire time. Like many great movies over the last couple of years, the less you know about the movie going in, the more I think you’ll like this movie. For me, this has been the case recently with films like Ex-Machina, The Drop, The Gift, and Chef. All of these were surprises, and each is a movie that I plan on watching again in the future. The same can be said about Sicario. Once you know how the movie ends, you’ll want to watch it again to try and see it again through a new set of lenses. It’s intense. It’s filled with drama. It will leave you with your mouth hung ajar. That is if you let it. This is a movie where you need to pay attention. If you doze off for even a couple of minutes, you might miss something important. If you miss something important, you might feel lost. If you feel lost, you might get frustrated. But if you are willing to work as hard as the movie does, you’ll be rewarded with one of the most exciting, well-crafted, and original movies that you are likely to find this year (or any year for that matter).
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Shopgirl (2005)
Long before Claire Danes started earning multiple Emmy Awards as the bipolar Carrie Mathison on Showtime’s knock-out series Homeland, she was starring in lesser-known, independent movies like Brokedown Palace, Igby Goes Down, and 2005’s completely underappreciated Shopgirl. I watched this movie for the first time back in 2008 or 2009 and was blown away by how awesome and authentic it felt. This was long before Homeland. I have since watched every episode of Homeland (including seasons 1 and 2 twice each), so it was cool to re-watch Shopgirl, knowing everything that I know about the character she plays on the television show that earned her fame. Ironically I thought this was the first movie that Steve Martin (Parenthood, Three Amigos!) wrote. It turns out he’s written dozens of films (including Three Amigos!, Roxanne, LA Story, The Jerk, and Bowfinger), but this was the first real non-comedy that he wrote. Maybe the difference was that with Shopgirl was that he wrote the novel in addition to the screenplay. And let me say that he did a great job. I had a couple of problems (which I will include below), but for the most part, he killed it. I would not read this review unless you’ve seen this movie. It’s going to be chock-full of spoilers. I would love to hear what you think about it if you have seen it. If you haven’t, stop reading now and check out the movie.
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A Walk on the Moon (1999)
I somewhat have an affinity for Viggo Mortensen (The Road, The Lord of the Rings: The Fellowship of the Ring). His movie Eastern Promises (the only film he has received an Academy Award nomination for) was the first movie I ever reviewed for my blog. It wasn’t the most straightforward movie to review and one that I would like to see one day again and then read what I wrote for that first review, but that will be something that comes later. He’s a solid actor who seems to do fewer and fewer movies each year, but when he’s on his A-game, there aren’t many who are better. I had never heard of A Walk On the Moon before it showed up as a Netflix recommendation. I quickly threw it in the queue, and I’m glad I did. In addition to a fabulous performance by Mortensen, this was a solid movie with one of the significant foundations of human life at the forefront. It’s the most surprising movie I’ve seen this year, and I may have to reevaluate my 1999 top 10 list. I’m guessing this movie won’t be quite good enough to get on there, but there might be a chance. Maybe this review will be the deciding factor.
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