Category Archives: Hidden Gems

It Follows (2015)

Total creep-fest. 2015 was looking for a legitimate horror. While this movie has completely flown under the radar for the general public, word of mouth has allowed the independent It Follows to become a cult classic quickly. Not only is this the best horror movie of 2015, but it is also the best horror movie in years. Honestly, the feeling I got while watching this movie was what I expected from what’s arguably the most over-hyped horror movie of all time, 1999’s The Blair Witch Project.

When I saw The Blair Witch Project in the theater, I was expecting to be scared in ways that I had been before. I know that a few of the friends I went with were terrified by it. I wondered if we had just watched the same movie. The Blair Witch Project is a different type of horror from A Nightmare on Elm Street. I think that perhaps as a 23-year-old, I hadn’t yet adapted to the idea that what you might imagine could be even more terrifying than what you see. I’ve mentioned on this blog a couple of times that I need to go back and watch The Blair Witch Project to see if I view it the same way that I did 16 years ago. Given its 87% “fresh” score on Rotten Tomatoes, I’m willing to admit that I am probably missing something when I give it a D-. But this is neither here nor there. It Follows is much more like The Blair Witch Project than A Nightmare on Elm Street. The movie’s 96% fresh score on Rotten Tomatoes aligns with my view of the film. It Follows is an instant horror classic.

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Brooklyn (2015)

Hands down, the best romance of 2015 is John Crowley’s (Intermission, Boy A) terrific Brooklyn. This movie features no wining and dining. There are no passionate, hot and heavy, sometimes stir a little in your seat scenes that you might be used to in movies like Titanic, The Notebook, Pretty Woman, Before Sunrise, (500) Days of Summer, Dirty Dancing, or Ghost. This isn’t R-rated. It isn’t PG-rated. It is very appropriately rated as a PG-13 movie. It’s the closest thing to the process of two people meeting by chance, getting to know each other casually before moving on to a deeper level, and eventually falling into an intense, meaningful love that feels both believable and beautiful. I did not know this was a love story going into the film. My mantra this year is to know as little about a movie as possible going into it. That doesn’t mean I’ll see just anything. I do have to see first that the film is getting positive reviews. But if it has decent reviews and Oscar buzz, I’ll make every effort to see it. Brooklyn was a movie that was the most straightforward film in the world to understand, but at the same time, almost impossible to truly comprehend. And in a word, that is love.

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Sicario (2015)

With three months left to go in 2015, we have a new contender for the best movie of the year, and the name of that movie is Sicario. This movie is a fantastic ride that will keep you thoroughly engrossed and guessing throughout. Like many great movies over the last couple of years, the less you know about the movie going in, the more you will like this movie. For me, this has been the case recently with films like Ex-MachinaThe DropThe Gift, and Chef. All of these were surprises, and each is a movie that I plan on watching again in the future.

The same can be said about Sicario. Once you know how the movie ends, you’ll want to watch it again to try to see it through a new set of lenses. It’s intense. It’s filled with drama. It will leave you with your mouth hanging ajar. That is, if you let it. This is a movie that requires your attention. If you doze off for even a couple of minutes, you might miss something important. If you miss something important, you might feel lost. If you feel lost, you might get frustrated. But if you are willing to work as hard as the movie does, you’ll be rewarded with one of the most exciting, well-crafted, and original movies that you are likely to find this year (or any year, for that matter).

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Shopgirl (2005)

Long before Claire Danes began earning multiple Emmy Awards as the bipolar Carrie Mathison on Showtime’s knock-out series Homeland, she starred in lesser-known independent movies like Brokedown PalaceIgby Goes Down, and 2005’s completely underappreciated Shopgirl. I watched this movie for the first time back in 2008 or 2009 and was blown away by how awesome and authentic it felt. This was long before Homeland. I have since watched every episode of Homeland (including seasons 1 and 2 twice each), so it was cool to re-watch Shopgirl, knowing everything that I know about the character she plays on the television show that earned her fame. Ironically, this was the first movie that Steve Martin (Parenthood, Three Amigos!) wrote. It turns out he’s written dozens of films (including Three Amigos!, Roxanne, LA Story, The Jerk, and Bowfinger), but this was his first non-comedy. The difference was that with Shopgirl, he wrote the novel in addition to the screenplay. And let me say that he did a great job. I had a couple of problems (which I will include below), but for the most part, he killed it. I would not read this review unless you’ve seen this movie. It’s going to be chock-full of spoilers. I would love to hear your thoughts on it if you have had a chance to see it. If you haven’t, you can just stop reading now and check out the movie.

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A Walk on the Moon (1999)

Promises (the only film he has been nominated for an Academy Award) was the first movie I ever reviewed for my blog. It wasn’t the most straightforward movie to review, and I would like to see it again one day and then read what I wrote for that first review, but that will be something that comes later. He’s a solid actor who seems to do fewer and fewer movies each year, but when he’s on his A-game, there aren’t many who are better. I had never heard of A Walk on the Moon before it showed up as a Netflix recommendation. I quickly threw it in the queue, and I’m glad I did. In addition to a fabulous performance by Mortensen, this was a solid movie with one of the significant foundations of human life at the forefront. It’s the most surprising movie I’ve seen this year, and I may have to reevaluate my 1999 top 10 list. This movie won’t be good enough to get on there, but there’s a chance it will. This review may be the deciding factor.

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