I have been hesitant to want to claim that movies are progressively getting worse. However, it’s starting to get to the point where there are only a few outstanding films each year, whereas there would be upward of a dozen in the past. Last year, the best movies were Promising Young Woman and News of the World, two that, while suitable, wouldn’t have even made my Top 10 a decade ago. This year might even be worse. As we enter December, the best movie I’ve seen is a quiet little movie called Blue Bayou, which could get some late Oscar buzz, but it’s unlikely to sneak into the top lists of critics like Sound of Metal did a year ago. Likewise, movies such as The Last Duel, The Eyes of Tammy Faye, and King Richard have had some excellent individual acting performances but have underwhelmed as a whole. The same can be said of Ridley Scott’s (Alien, Black Hawk Down) flat House of Gucci.
Category Archives: Inspired by True Events
Blue Bayou (2021)
Blue Bayou was a film I knew nothing about three days before my viewing and one I have been incredibly excited about since. I love a well-crafted, heavy drama, and this film told me, after watching the first 45 seconds of the trailer, that this was something that I would see opening weekend. The Rotten Tomatoes scores enhanced my excitement about the movie (73%, 96%).
Taking Chance (2009)
Taking Chance is a tender little movie that most people have probably never heard of, let alone given the inclination to give it a watch. Quietly released by HBO in early 2009, first-time director Ross Katz debuts a gem of a based on actual events movie about a high-ranking marine officer escorting the slain body of a soldier home to his final resting place after the young man was killed in action during Operation: Iraqi Freedom.
Ammonite (2020)
Ammonite, Francis Lee’s (God’s Own Country) tells the familiar of something uniting us all: the internal need to find human connection, even when we externally live a life that suggests otherwise. We often seek out other humans to fulfill some of our needs inside of us, though we often have different capacities. As I write this review during the Coronavirus pandemic, this innate truth could not be more evident. The main difference between now and the past is that we can connect with others through face-to-face video technology, phone calls, text messages, email, social media, and other platforms. But in 1840 Europe (the time and setting of Ammonite), the person had to be physically near you, outside of the occasional letter that might or may not arrive in the mail. There certainly is real-time interaction if you and the other person are in the exact location. Our connections also aren’t authentic, and we live a fabricated existence because it beats being alone. So when we can connect with someone (on whatever mutually agreed upon level), it quickly becomes something we don’t want to let go of. And that is essentially the story of Ammonite.
Bombshell (2019)
Based on the real-life scandal at the Fox News Channel, Jay Roach’s (Trumbo, Meet the Parents) Bombshell tells the story of the eruption that occurred when many women were exposed to a sexually harassing environment due to its chairman at the time, Roger Ailes (John Lithgow- Late Night, The Accountant). Bringing to the surface the accusations of numerous females by the head of the company, Bombshell made, at times, an uncomfortable watch. It felt unfathomable that so much of this could have occurred. However, it also seemed as if you couldn’t make up a story like this had it not been proven true.