I’m not going to lie. The only reason I watched Michael Gracey’s The Greatest Showman was that it was the topic of one of the sermons at my church. Each year, we have a summer movie series (In 2018, the movies were Forrest Gump, Good Will Hunting, The Princess Bride, and The Shawshank Redemption. I had seen all four, of course, and watched all of them again before that week’s service to refamiliarize myself with each of these fantastic films. Then, on Labor Day weekend, we have our Family Weekend, where the church’s children sit with their caregivers rather than go to the classes they usually attend. We show a truncated movie version, and this year, it was The Greatest Showman. So, I added it to my Netflix queue. It arrived two days before my church service, and I watched it the night before. I’m usually not a fan of musicals, but I enjoyed The Greatest Showman and would consider watching it again one day.
Category Archives: Inspired by True Events
The Hurt Locker (2009)
“The rush of battle is a potent and almost lethal addiction, for war is a drug.” – Chris Hedges, author of War Is A Force that Gives Us Meaning.
2009’s The Hurt Locker is one of the finest movies ever. It was utterly gripping in its year of release and is a movie that will remain relevant until the end of time. It was monumental that director Kathryn Bigelow (Point Break, Zero Dark Thirty) became the first woman to win the Academy Award for Best Director and the first woman to direct a Best Picture of the Year. It only took 80 years. Just as impressive, and a significant credit goes to Bigelow, was the breakout performance for two future Hollywood A-listers in Jeremy Renner (The Town, Wind River) and Anthony Mackie (The Adjustment Bureau, Triple 9). Ironically, both have landed themselves as Avengers characters, something I will touch on later in this review. There have been many excellent movies about the war in Iraq (Stop-Loss, The Green Zone, The Messenger, Grace Is Gone, Lions for Lambs, In the Valley of Elah, Jarhead), The Hurt Locker is second, falling just behind Clint Eastwood’s American Sniper. And it’s close. Each is a film that should receive multiple views. Each had a lead that hit his performance entirely out of the park, had incredible direction, and had a chilling score that could be listened to on a quiet night on the couch at home. It is, without a doubt, a movie that should be viewed by anyone who enjoys/appreciates war movies.
An Education (2009)
Set in 1961 England, Carey Mulligan’s (Shame, Drive) breakout performance in Lone Scherfig (One Day, Their Finest) is a movie that resonates in a way that is entirely independent of its time frame and location. Does this mean it’s a timeless classic? Well, when I think of timeless classics, I think of films that are very different from An Education. This beautiful film was on pace to be a timeless classic, one where everything is fine and dandy and one that I probably would not have enjoyed as much if not for a late twist. The setting of 1960s Europe doesn’t pique my interest. If, as I write this in 2018, in my early 40’s when I am much more into the independents than the big blockbusters, the synopsis for this film doesn’t attract, I can only imagine what I thought going into it back in 2009. I’m unsure what piqued my interest in this movie or even got me past the first 15 minutes.
Wind River (2017)
There are so many takeaways from Taylor Sheridan’s Wind River that I don’t even know which one to bring out first. Though flawed, this is the best movie of 2017 through the first eight months of the year. It is an epic masterpiece that might be missed by the typical moviegoer who is so overwhelmed with the commercialization of movies like Wonder Woman, Spider-Man: Homecoming, and War of the Planet of the Apes that they might not even know it existed, let alone a movie that it might be interested in seeing. In a 2017 Hollywood that has seen a massive uptake in remakes, reboots, sequels, and prequels, it’s becoming increasingly more difficult to find originality in a story and then, if you do, for that originality to come out in a way that encourages you to see it again and, hopefully, has a lasting impact on your life. That is what Sheridan, an incredibly gifted screenwriter, has done in his first film behind the camera. The memorable Sicario and Oscar-nominated Hell or High Water are already to his screenwriting credit. It’s unlikely that Wind River will receive the same box office success as his first movie or the same critical acclaim come Oscar season as his second, but this is one hell of a directorial debut.
The Revenant (2015)
Why not save the best for last? It doesn’t always work out that way, but The Revenant was the final movie released in 2015. In fact, except for in a few select theaters in a few select cities, you couldn’t see the film until January 7th. Was it worth the wait? Absolutely it was. It seems like we’ve seen trailers for months building this movie up. Each time I saw a preview, I couldn’t help but get excited. I believe that this might have been my most anticipated movie since Shutter Island, and with that movie, I had reason to be wary because it was a 2010 movie released in February. You usually don’t get the best films of the year released that early in the year. While Shutter Island exceeded expectations, The Revenant was all that and more. Leonardo DiCaprio (The Wolf of Wall Street, The Great Gatsby) has been burned by the Academy many times before. While The Revenant is his fifth Academy Award nomination for acting, he should have at least three or four more. None of those past omissions matter now, as DiCaprio is the front runner to win Best Actor this year. I wouldn’t quite qualify him as a lock to win, but it is only a two-actor race, and his performance was more impressive than the fabulous performance given by Eddie Redmayne in The Danish Girl.
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