The best movie of 2014 that has flown under the radar is, without a doubt, J.C. Chandor’s (All Is Lost, Margin Call) A Most Violent Year. As I will mention in the paragraphs below, this movie is subtly fantastic. But before I get into the film, I want to talk about Chandor. This guy is quietly establishing himself as a master of two crafts. A Most Violent Year is just his third movie, but it is the third for which he has directed and written the screenplay. And all three films have earned at least 88% fresh on Rotten Tomatoes even though none made more than $8 million at the box office. All three movies are unique from one another, and Chandor has already had the opportunity to work with some of the biggest names in Hollywood (Robert Redford, Kevin Spacey, Jeremy Irons, Demi Moore, Stanley Tucci, Oscar Isaac, David Oyelowo, Jessica Chastain, and Albert Brooks). He has already signed on Mark Wahlberg to star in his next project. And while All Is Lost and Margin Call were both unique movie experiences, A Most Violent Year is Chandor’s crowning achievement to date.
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Category Archives: Albert Brooks
This is 40 (2012)
This Is 40 is an incredibly depressing movie that is not really funny. I love a good, raunchy comedy as much as anyone, but when it’s raunchy and not funny, it becomes dumb. I say this with lots and lots of love for director Judd Apatow. Apatow has written and directed two of the funniest movies of all time (The 40-Year-Old Virgin, Knocked Up). He has also helped produce some of the other major comedies of the last decade, including Superbad, Step Brothers, Talladega Nights, Step Brothers, and Forgetting Sarah Marshall. Still, this is just the fourth movie he is directed, and one of those, Funny People, was anything but funny. This Is 40 should have been a big hit. Apatow is talented enough to make a movie surrounding this topic into something funny. But ultimately, This Is 40 is a failure. I have yet to talk to someone who has seen this movie and said, “I loved it and can’t wait to see it again.” I’ve heard, “I didn’t like that.” I’ve heard, “I saw it, and I’m glad I saw it, but I wouldn’t watch it again.” My thought on the movie was, “I saw it, and I’m not sure that I’m glad I saw it because, being near 40, I found parts of it to be too real and parts of it to be not real.” I’ll try to explain.
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Drive (2011)
Original review – September 18, 2011 | Updated review August 12, 2013
Updated review****
This movie is a classic. I had a couple of original problems based on my initial view. The preview made it seem like it would be a completely different movie. I hadn’t prepared myself for the violence or all of the overlapping storylines that were going on. I thought I would watch Ryan Gosling drive bad guys around and avoid the police. The movie trailer is essentially the film’s first five minutes (nothing more, nothing less). I expected something different, which is why my initial review was lower than it is now.
I loved Gosling and Mulligan. I loved the way the unspoken attraction they had for one another. I loved how Gosling did everything he could, not getting attached to somebody he couldn’t just walk away from in five minutes, but how circumstances kept driving them together to the point where he would do anything to keep them happy and safe.