HBO (now Max) has been producing its own feature-length films since 1982, averaging 10-15 releases each year. Most of these films have little to no marketing behind them, nor are they distributed by a major studio or star A-list actors. With very few exceptions, these films go mostly unseen. However, there have been exceptions. These include The Normal Heart, Bad Education, Live from Baghdad, and Behind The Candelabra. Perhaps HBO’s most celebrated and widely received original movie is the Billy Crystal-directed (Forget Paris, Mr. Saturday Night) 61*, chronicling the 1961 single-season home run chase between New York Yankees teammates Roger Maris and Mickey Mantle.
Category Archives: Barry Pepper
Crawl (2019)
In the tradition of other monster movies such as The Meg, Piranha 3D, Lake Placid, and Anaconda, where the beasts of nature wreak havoc on the community, comes Alexandre Aja’s (High Tension, The Hills Have Eyes) Crawl. This movie is a lot of fun. And by this, by no means am I suggesting it is perfect. It is far from perfect. However, it is a good escape film built around horror.
Kill the Messenger (2014)
After stints in movies that have limited his ability to showcase his range (Mission Impossible: Ghost Protocol, The Avengers, The Bourne Legacy), the talented Jeremy Renner returns to the type of film that has helped establish him as one of America’s best, under the radar actors. With Academy Award nominations in back-to-back years (The Hurt Locker – Best Actor, The Town – Best Supporting actor), Renner brings his acting prowess back to the big screen for the first time in four years in Michael Cuesta’s (Showtime’s Homeland) Kill the Messenger. While researching this movie, I learned that Renner is signed to continue the Bourne, Mission Impossible, and Avengers franchises. Now while I’m never going to chastise an actor for getting as much money as they can, it would be my wish that he exit two of these three series (the Bourne series is tired and played out, and there is no need for his character in the Mission Impossible franchise) and concentrate on roles that bring out more of the actor in him. Then, of course, he would still have The Avengers movies for name recognition and bigger paydays. I feel like this man has a handful of Academy Award nominations (and hopefully a couple of wins) in his future if he continues tackling these more character-driven movies.
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The Green Mile (1999)
The Green Mile was Frank Darabont’s (The Mist, The Majestic) first movie following The Shawshank Redemption, a riveting prison movie that has found a permanent spot on many critics and movie fan’s top ten of all-time lists. The expectations were high for The Green Mile, if not altogether unrealistic. Like The Shawshank Redemption, this movie was set almost exclusively in prison. Like The Shawshank Redemption, this movie was based on a Stephen King novel. Like The Shawshank Redemption, this movie was set somewhere in middle America, reasonably close to the time frame of World War I, though neither of these movies ever really talks about any war. The Green Mile was set in 1932, while The Shawshank Redemption was set in 1946. The expectations for The Green Mile might have been unrealistic. I say this because of the reasons mentioned above, but also because it starred Tom Hanks (Forrest Gump, Philadelphia), Hollywood’s #1 leading man at the time, who was fresh off of receiving his 5th Academy Award Nomination for Best Actor after his performance in Saving Private Ryan. While The Green Mile is not as good as The Shawshank Redemption (my favorite film of all time, at the time of this review), it is still an incredible movie that everybody should see at least once.
True Grit (2010)
I am the first to admit that I am not as big a fan of Joel and Ethan Coen-directed movies as most people are. While I did enjoy Fargo (1996) and A Single Man (2009), I wouldn’t say I liked Miller’s Crossing (1990) and Barton Fink (1991). While I thought No Country for Old Men was pretty good, it was not close to being the best movie from 2007. Then there are the other Coen-directed movies I would prefer to see. These include Burn After Reading (2008), The Ladykillers (2007), Intolerable Cruelty (2003), or O Brother, Where Art Though? (2000). I appreciate a good Western. Once True Grit was nominated for a Best Picture Academy Award, it became a no-brainer that I saw the movie, despite my reservations about the Coens.