Why did the Mad Titan Thanos (Josh Brolin – W., Sicario) need to grab hold of the power of the six Infinity Stones to destroy the universe? I think it’s important to understand what causes a villain to do certain actions rather than just to have a bad guy. The stronger the villain’s arc and the more we sympathize with them on any level, the more we understand and appreciate the underlying of who they are. In Avengers: Infinity War (directed by Anthony Russo and Joe Russo), we have a powerful bad guy motivated by a tortured past and willing to destroy all the good guys in the universe to atone for it. After the planet Titan is no longer inhabited, he is not allowed to prevent things from destroying it; he thinks he will prevent it. Instead, he lost his planet and everyone on it. Vowing not to let something like that happen again, he makes it his mission to balance the universe by completely wiping out half of it. But to do so, he’ll need all six of the Infinity Stones that will power his Infinity Gauntlet, allowing him to bend time, space, energy, and the laws of physics and reality.
Category Archives: Bradley Cooper
The Mule (2018)
Every trailer for a Clint Eastwood (Unforgiven, Million Dollar Baby) directed movie over the last decade-plus has made the film look like it would be a guaranteed Best Picture nominee. Whether that proves to be fruition (American Sniper, Flags of Our Father) or not even close (The 15:17 to Paris, Hereafter) doesn’t affect how great the trailers are. Over the last 15 years, Eastwood-directed movies have earned hundreds of millions more combined than they would have otherwise received had they not had terrific trailers. This is true of 2018’s The Mule. After seeing the trailer for The Mule for the first time in early October of 2018, the film instantly vaulted to my most anticipated movie of the year. When it wasn’t screened very much before its opening, I got a little worried. Then I saw the mixed reviews start to come in. At the time of this writing, The Mule has a 62% critics square and a 74% audience score, a little lower than I anticipated based on the trailer but right around what I expected them to be after seeing the film.
A Star Is Born (2018)
Wow. I really wanted to love this movie. Bradley Cooper’s debut directorial performance was so close to perfect and yet so far away at the same time. I admire his vision and ambition for this movie so much that I want to credit it even in the areas it struggled with. Watching it through the lens of a moviegoer looking for an escape rather than that of a wannabe movie critic would have allowed me to see past some of its many errors. Ultimately, however, this film was far too flawed to be a legitimate contender for Best Picture or Best Director, despite what many seem to be already predicting. I will touch on all of the good and all of the bad in what will be one of my more thorough reviews.
Joy (2015)
Joy is the epitome of a very average movie with a standout lead performance. Jennifer Lawrence (Silver Linings Playbook, American Hustle) will most definitely earn her fourth Academy Award nomination (third for Lead Actress) in five years for her role as the title character. Still, she does not have a chance to win. I think she would have had a shot had the movie been better received with critics and audiences, but it likely would not have been enough to knock off favorites Brie Larson (Room), Saoirse Ronan (Brooklyn), or Charlotte Rampling (45 Years). Lawrence and Cate Blanchette (Carol) likely will be the final two nominations, with Carey Mulligan (Suffragette) having an outside chance to spoil.
American Sniper (2014)
In a year that hasn’t had that many must-see movies, American Sniper has proved that there is at least one reason to head out to the theaters. 2014 has been the most disappointing year overall for movies since 2008. Yet despite its horrendous start and some incredibly overrated movies (Birdman, Unbroken, Mr. Turner, Snowpiercer, Godzilla, even Boyhood to an extent), some films did manage to live up to their expectations (Foxcatcher, The Theory of Everything, The Imitation Game). In addition, some movies exceeded my hopes for them (The Drop, Nightcrawler, Kill the Messenger, and the surprise, feel-good movie of the year, Chef). But the film that had the most pressure on its shoulders to perform was American Sniper, the final released movie of the year. And while the movie did not exceed my expectations, it certainly met them in every single way. So before I review the film, I want to refer to a couple of observations.