Jordan Peele’s debut feature film, Get Out, was a film that I originally wasn’t going to review. I liked the movie well enough, but it wasn’t one that I felt comfortable writing about. I only do so now because it will likely be nominated for Best Picture and could get as many as ten nominations. This is kind of crazy for a movie released in February. It certainly isn’t unheard of, but it is rare. Its Academy Award nominations, 99% fresh rating on Rotten Tomatoes, and $175+ million in box office revenue off a $5 million budget confirm that this is one of the most surprising and successful movies ever. It may be THE most successful horror movie of all time if you measure it by those four factors alone. It’s a movie that keeps you engaged and entertained from its very first scene (think a toned and shorter version of the first scene in Scream), powers its way through a unique plot that you’ve never seen on film before, and keeps you on the edge of your seat through its bold and unpredictable final act.
Category Archives: Caleb Landry Jones
Three Billboards Outside Ebbing, Missouri (2017)
In an Oscar season that hasn’t been so much a run of disappointing movies as much as has been movies that didn’t whet the appetite, Martin McDonagh’s (Seven Psychopaths, In Bruges) Three Billboards Outside Ebbing, Missouri has a chance to finish in my Top 10 movies of the Year. In contrast, I wouldn’t have had a chance since I began writing this blog in 2010. While I enjoyed its dark theme, its complex characters, and even, to an extent, its quirkiness, this movie was close to perfect. It is a lock for the Best Picture nomination, which shows just how down the year 2017 is for the film.
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