Sometimes when someone is describing a movie to someone who might be on the fence about it, they might say something like, “Yes, it’s a kids’ movie, but it’s made for adults. So much of the humor will go straight over a child’s head.” This rarely, if ever, works and can be a terrible tactic. Yet, here I find myself again writing a review for a movie that I knew I was not going to enjoy (though I knew I would see it regardless because of the hype, favorable review, and gnawing curiosity) under the pretense that the movie was made for me when it was not. However, that was not the half of it. With most animated films, children are likely to be entertained and understand the story, even if that story parallels an overarching story intended more to reach adults. Greta Gerwig’s (Lady Bird, Little Women) Barbie had all the shininess of Mattel’s most iconic toy and was often shot in such a simplistic way that it felt like it was perhaps aimed toward children, but this was not a kids’ movie. Its clever and ubiquitous marketing campaign seemed more interested in selling out as many theaters as possible for as long as possible before revealing its plot. It did work. The film grossed over $150 million domestically in its first three days. To the film’s credit, it was a PG-13 film, though I bought into the intrigue so much that I hadn’t even looked at the rating until I left the theater.
Category Archives: John Cena
The Wall (2017)
First things first, if you think you’re going into this seeing a John Cena movie, you will be sorely disappointed. This movie is similar to 127 Hours, Cast Away, I Am Legend, or All Is Lost in that it revolves almost entirely around a single character. However, some significant differences exist between this one and those just stated. There are no flashback scenes. This movie is done almost entirely in real time. And it occurs in a single location, though 127 Hours, for the most part, does as well. The Wall is similar, though, in that each of the mentioned movies experiences extreme periods of hopelessness during a part of or a majority of the movie. The Wall isn’t nearly as good as these other movies, but it was unique enough to hold your interest. Whereas 127 Hours was based on a true story, where All Is Lost is easily believable, and where I Am Legend is more of a science fiction movie for which we must suspend our belief, The Wall falls somewhere in between. I loved that it was just 81 minutes long. It didn’t need to be any longer, so why drag something out when it doesn’t have to be? And the first 20 minutes were completely engrossing. I knew little about the movie but not enough to know where it was going. But then it took a turn for the weird that took the believability aspect out of it and turned it into a game of cat and mouse that, while entertaining, was not something I’d expect out of my war movies.
Trainwreck (2015)
I’d say that there is a pretty darn good chance that Trainwreck will go down as the funniest movie of 2015. There doesn’t appear to be a ton of comedies this year, and the one that I was most excited for (Vacation) looks like it’s going to be a dud. Usually, the great comedies of the year are released before September 1st. I have no evidence that backs up this claim, but it seems like the good movies reserved for the later portions of the year are the Oscar contenders. It doesn’t mean that there aren’t comedies released in October, November, and December, but it seems like there are average more often than not. I guess what I am implying here is that the funniest movies of the year have probably already been released and that Trainwreck seems to be the most amusing of that group. I often mention in my movie blog of the year 2010, which, I believe, is the best movie year in my lifetime. However, there wasn’t that one hilarious comedy you remember from that year. For me, the funniest movie that year was Get Him to the Greek, but that movie had nothing on Trainwreck. Had it been released in 2010, Trainwreck would have made the year that much better.
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