There are a couple of different ways to start the review for Spotlight. I could talk about the cast (quite possibly the ensemble cast of the year). I could talk about the hypocrisy that is organized religion. I will mention both of these in this post. But I will start with the old-fashioned newspaper reporting that used to be our number source of reliable news. In many ways, it is unfortunate that newspapers aren’t what they used to be, nor will they ever be again. With the invention of the Internet, it was only a matter of time before most newspapers folded while others had to majorly trim their staff, editions, and the number of pages produced with each issue. Where will The Chicago Tribune, The Washington Post, and The New York Times be in 20 years? Well, if the changes in the previous 20 years are any indication, I’m not sure these newspapers will even be around in 20 years. If they are, they might be entirely electronically based. There will still be a place for prominent metropolitan newspapers, but it will not be in the print variety. There are still things that I am interested in in the Washington DC area that I feel can only be fully addressed in something like The Washington Post. Still, I haven’t purchased a physical newspaper in over a decade and only read one if I saw it sitting at a bar when I’m eating dinner, in the school library, etc. Likewise, I go online to The Washington Post to get the same information that I cannot find elsewhere, but their website isn’t nearly as user-friendly as some other sites I go to. And finally, after I read several articles, I’m told that I reached my limit for the month and that I need to pay for a subscription to read anymore. Well…how hard is it to use a different device that hasn’t yet recognized me to access the same material? And am I going to need to read more than five articles a month? Nope. I have other resources that I still have at my disposal. Long story short…I still want and need these major newspaper articles to survive. Yet, I haven’t given a cent towards any of these papers in over a decade, and I don’t plan to. If these newspapers are going to survive, they need to do something to tap into my monetary resources.
Continue reading Spotlight (2015)
Category Archives: Mark Ruffalo
Begin Again (2014)
Begin Again had all of the makings of a great movie. It had an all-star cast with Mark Ruffalo, Keira Knightley, Hailee Steinfeld, and Catherine Keener (in addition to Maroon 5’s Adam Levine). It had a fantastic soundtrack (with most of the songs sung by Knightley). But most importantly, it was tying itself to John Carney, screenwriter/director’s 2007 gem Once, perhaps the most incredible “musical and performing arts” movie that you’ve never heard. I started off liking this movie so much. After 30 minutes, I felt confident it would be as good as, if not better, than Once. The problem was that as believable as Once felt, this movie felt unbelievable by its third act. It was a movie that stretched so far past the idea of a feel-good story that you really couldn’t at all take it seriously. If I had to break down the three acts, I would give Act One an A, Act Two a C, and Act Three a D (based on the implausibility of not just the last act itself, but because it doesn’t effectively bring resolution to any of the issues the characters are dealing with in the first two acts of the film). This movie reminded me of August Rush, but, to be honest, I’d have to watch August Rush again to see if that’s a fair assessment. I do remember wanting to like August Rush much more than I did.
Continue reading Begin Again (2014)
Foxcatcher (2014)
I’ve finally found the first “award buzzing” movie of 2014 that has lived up to its hype. While there have certainly been a handful of other films that I’ve found to be good, there hasn’t been a movie, except for maybe Nightcrawler, that has lived up to the hope I had for the movie. That has certainly changed with Bennett Miller’s (Moneyball, Capote) methodical and engrossing Foxcatcher. While this movie isn’t for everybody, film purists will love it. This movie will likely garner a Best Director Academy Award and, without a doubt, will land Steve Carell (Crazy, Stupid, Love., Date Night) his first Best Actor nomination. In addition, mark Ruffalo (Reservation Road, Shutter Island) likely will also earn a Best Supporting Actor Academy Award. And not to be lost is the performance of Channing Tatum (21 Jump Street, 22 Jump Street), who gives the performance of his career. This film’s three of the best performances of the year can be viewed alone. Continue reading Foxcatcher (2014)
Shutter Island (2010)
Without a doubt, Martin Scorsese’s (The Wolf of Wall Street, The Departed) was one of my life’s most incredible theater movie experiences. I had been super excited for the movie since seeing its first preview six months or more before it came out. There was so much hype associated with the film that I was certain it couldn’t live up to the expectations. However, it not only met expectations but also surpassed them. This movie is a complete masterpiece and has only been dampened by the fact that the second viewing (an essential viewing for all film fans) wasn’t as awesome as I thought it would be. I thought I would gain some insight into knowing things about the movie I didn’t realize during my first viewing. Rather than capitalizing on this new knowledge, I found the second viewing rather dull. The excitement of seeing this film for the first time was what made it so great. This movie is also a much better view in the theater than at home, regardless of how big your home television might be. It’s a movie that needed to be seen in a dark theater full of other people viewing the film for the first time.
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Thanks For Sharing (2013)
Stuart Blumberg’s Thanks For Sharing is a much softer and more humane look at the trials and tribulations of sexual addiction than is Steve McQueen’s 2011 Shame. Both movies broach this once taboo topic with relatively deep character studies. While both films tell fairly compelling stories, neither earned much at the box office. Together, the two movies generated just over $4 million domestically. I think that fact that these two movies were both made over two years and the two attracted stars like Mark Ruffalo, Gwyneth Paltrow, Tim Robbins, Michael Fassbender, and Carey Mulligan shows that there are those in Hollywood who want to bring the issue come to light even if the general public is still a little reluctant to make it to the theater to check out these movies on the big screen.
Continue reading Thanks For Sharing (2013)