The typical moviegoer of America will soon be introduced to one of the next big names in feature film directing when the Academy Award nominations come out in a few weeks. Steve McQueen will undoubtedly earn a Best Director nomination for
12 Years A Slave, a movie that some say is the greatest movie about slavery ever told. While those who have seen the film have talked a lot about the acting (and rightfully so), this movie, like any great movie, needs a captain to steer the ship and bring the story together. McQueen does just that. In a few weeks, the typical moviegoer will ask what else McQueen directed. Well, this is just his third feature film. He has 23 “Shorts” that he is credited with directing, but only two feature-length films. But these two other films weren’t just any movies. Much like Christopher Nolan (
The Dark Knight, Memento), everything that McQueen has touched in his young career has had a purpose. He doesn’t have any “throw away” movies. The movies he has tackled thus far in his full-length directorial career have been on slavery, sex addiction (
Shame), and the true story of an Irish Republican Army activist who, in 1981, protested the way British guards were treating him and fellow inmates by embarking on, perhaps, the most internationally recognized hunger strike since Gandhi (
Hunger). While
Shame and
Hunger earned critical acclaim, many people didn’t see them.
Shame is a brilliant movie about the taboo topic of sex addiction. As a result, I expected much more when I saw
Hunger after this. While I appreciated many aspects of
Hunger, I found it rather dull. So now, with
12 Years A Slave, McQueen has three movies I admire and two that I think are brilliant.
Continue reading 12 Years A Slave (2013) →
Michael Fassbender, it’s been a minute. We haven’t seen the once-up-and-coming next big thing in a movie since 2019’s Dark Phoenix or anything good since 2017’s Alien: Covenant, it’s been over a decade since his incredible back-to-back-to-back collaborations with director Steve McQueen (Hunger, Shame, 12 Years a Slave). Fassbender seems to deliver his best performances when coupled with an established director. His portrayal as the lead in David Fincher’s (The Curious Case of Benjamin Button, The Social Network) fantastic assassin-for-hire The Killer is another example of proof.
Ridley Scott’s (Gladiator, 
The Light Between Oceans was a flawed movie that is likely to bore many, if not most, of its moviegoers. This was evidenced by the guy sitting behind me who was sawing logs for the entire second half. But I am a sucker for broken relationship movies caused by some strife, and that’s what I got here. The only thing I knew about this movie was that it was about a couple living on a small island while he managed a lighthouse and that they found a baby in a boat they took as their own after she suffered a series of miscarriages. I wish I had gone in knowing nothing about this movie.