Almost perfect. While it may not even end up in my top five movies of the year, Tom Ford’s (A Single Man) Nocturnal Animals was almost perfect. I liked it so much in this movie, and Ford almost created a masterpiece, but it fell short. An A- for sure. Maybe even an A. But it won’t be the 49th movie I’ve seen that would classify as an A+. Jake Gyllenhaal (Love and Other Drugs, Everest) is better than ever, and he could end up with an Oscar nomination for this film. In a perfect world, he would, especially since he may have been the odd man out in 2015 (Nightcrawler) and 2016 (Southpaw) for a Best Actor Academy Award. But with four of the five slots pretty much locked up (Tom Hanks – Sully, Denzel Washington – Fences, Casey Affleck – Manchester by the Sea, Joel Edgerton (Loving), that leaves only one more nomination between Gyllenhaal, Ryan Gosling (La La Land), Warren Beatty (Rules Don’t Apply), and Andrew Garfield (Hacksaw Ridge). And, honestly, while his performance was excellent, it wasn’t nearly the performance he gave in either Nightcrawler or Southpaw. Ford’s chances for a Best Directing nod look even dimmer, and an impressive performance by Amy Adams (The Fighter, American Hustle) may be overlooked entirely because she will likely receive a nomination (and may even be the frontrunner) for Arrival, a movie that was released just a week before Nocturnal Animals.
Category Archives: Michael Shannon
Midnight Special (2016)
Midnight Special. First, the good. The tone was incredible. It was seductive. It was menacing. It was creepy. It was engaging. It kept you on the edge of your seat. Finally, it had the right director. Jeff Nichols (Mud, Shotgun Stories) is still pretty new to the game. This is just his fourth directorial effort, and, once again, Nichols teams up with Michael Shannon as his leading man (99 Homes, Revolutionary Road) for the first time since the incredible Take Shelter, a movie that was nothing short of a thing of genius. In addition to the amazing Take Shelter, Mud, and Shotgun Stories were both fantastic movies. Midnight Special was supposed to be the next great chapter in the Nichols/Shannon book of greatness. Unfortunately, this was the furthest thing from the truth.
99 Homes (2015)
99 Homes was a movie I was confident I would love. I was wrong. It was good, but not great. It had unavoidable flaws. Even with the most accomplished director, it couldn’t have avoided some of its pitfalls and still fit in a two-hour time frame. Just like an unusually high number of films that I’ve seen this year, I knew very little about this movie going in. My knowledge of the film was reduced to knowing that it starred Andrew Garfield (The Amazing Spider-Man, The Social Network) and Michael Shannon (Take Shelter, The Harvest), that it was a heavy R-rated drama based on home foreclosures, and that it was scoring a 90% on Rotten Tomatoes at its time of release. I hadn’t seen a single preview of the movie, but what I did know about it was enough for me to see it. There was a 100% chance I would see this movie in the theater. While this is a pretty good movie, it doesn’t require a theater viewing. It’s not going to win any awards. If you get a chance to see it on Netflix or cable, give it a shot. You may not love it, but it’ll grab your attention. While it is predictable and gets in its own way, it is a tense and engrossing film. Furthermore, it continues to showcase Shannon’s dominating screen presence. Love him or hate him, he creates memorable characters.
The Harvest (2015)
It’s never really a good thing when your movie is released on Video on Demand the same day it opens in the theater. This is slowly changing and becoming more widely accepted because it helps some independent movies earn more money. However, it still means that, regardless of how good a movie is (in any category), it is not eligible for an Academy Award nomination. So if it is a movie you think will be great, you wouldn’t make it available on OnDemand until after it leaves theaters. With that said, all those involved with this movie (regardless of whether you loved it or hated it) knew that it would never be in contention for an Oscar award. The Harvest is a movie I would not have seen in theaters, and had it not been on OnDemand at the same time as its theatrical release, I would have missed it altogether. Their release plan was good. The film, on the other hand, was meh.
Take Shelter (2011)
The most overlooked performance by a lead actor in 2011 was Michael Shannon’s performance as the delusional Curtis LaForche in the Jeff Nichols (Shotgun Stories) bone-chilling drama Take Shelter. Though Shannon’s acting career began in 2001, and the first three movies he appeared in (Pearl Harbor, Vanilla Sky, and 8 Mile) each grossed over $100,000,000 at the box office, it wasn’t until 2008 when he earned an Academy Award nomination for Best Supporting Actor after two jaw-dropping scenes as a mentally unstable man in Revolutionary Road.
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